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Brian Eno
Oblique Music
Brian Eno
Oblique Music
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Description
On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and influential musical figures of the past forty years, even though he has described himself on more than one occasion as a non-musician.
This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.
Table of Contents
PART ONE - Eno: Composer, musician and theorist
1 The Bogus Men: Eno, Ferry and Roxy Music - David Pattie
2 Brian Eno, non- musicianship and the experimental tradition - Cecilia Sun
3 Taking the studio by strategy- David Pattie
4 Between the avant- garde and the popular: The discursive economy of Brian Eno's musical practices - Chris Atton
5 Yes, but is it music? Brian Eno and the definition of ambient music - Mark Edward Achtermann
6 The Lovely Bones: Music from beyond - Hillegonda C. Rietveld
7 The voice and/of Brian Eno - Sean Albiez
PART TWO - The University of Eno: Production and collaborations
8 Before and after Eno: Situating 'The Recording Studio as Compositional Tool' - Sean Albiez and Ruth Dockwray
9 Control and surrender: Eno remixed – collaboration and Oblique Strategies - Kingsley Marshall and Rupert Loydell
10 Avant-gardism, 'Africa' and appropriation in My Life in the Bush of Ghosts - Elizabeth Ann Lindau
11 Eno and Devo - Jonathan Stewart
12 Another Green World? Eno, Ireland and U2 - Noel McLaughlin
13 Documenting no wave: Brian Eno as urban ethnographer - Martin James
Select Discography
Product details

Published | 11 Aug 2016 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 296 |
ISBN | 9781441148063 |
Imprint | Bloomsbury Academic |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Specialists in English, media, film and television have also been invited to take part in this conversation, which feels authentic to the spirit of Eno ... The book mulls over those necessary questions that anyone thinking about Eno must eventually face.
The Wire
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Contributions include meticulous descriptions of compositions; a chapter about Eno's ambient oeuvre (which quirkily compares him to Tolkien at great length) ... Albiez contributes to the best piece on precursors to Eno's use of the studio to create new sounds. ... Intellectually stimulating.
Record Collector
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The collection's standouts are Martin James' pithy, pacy account of Eno's years in New York (1978-84) … and Hillegonda Rietveld's coolly attentive reading of the soundtrack to the film The Lovely Bones, in which his “oblique music seems like a ghostly call from the 'in-between'”.
Times Higher Education
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For quite some time, Brian Eno has been jokingly referred to as the 'professor of pop'. It's about time, then, that real academics caught up with a body of work that is as perplexing as it is complex. ... Essential reading for all academic listeners.
Times Higher Education ('What are you reading?')
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This much needed book explores the many trajectories of Eno's varied career, and it will engage and excite any music lover, regardless of your opinion of Eno's work. It's a richly rewarding collection that deftly explores and unpacks the work of one of popular music's pioneering figures. ... Oblique Music does an outstanding job of critically capturing both the well-known and less familiar elements of Eno's work ... [It] provides some thought-provoking material on broader issues such as collaboration, composition, creativity, experimentation, musicianship, technology and more, and as such will stimulate the interest of anyone engaged in music creation and production. This is a book that you will return to time and again - like Eno's best work, its rewards make themselves most evident after repeated visits.
Dancecult: Journal of Electronic Dance Music Culture
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Meticulously written, rich in detail and factually argued ... Anyone who wants to know Eno from the beginning, to understand his experimental strategies in the studio or to study his eternal movement between pop music and free sound, will not be disappointed.
Groove (Bloomsbury translation)

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