Acknowledgements
List of Illustrations
Note on Procedures and Abbreviations
Note on Contributors

Introduction: '“Sow'd and Scattered”: Shakespeare's Media Ecologies' Stephen O'Neill, Maynooth University, Ireland

Part I: The Politics of Broadcast(ing) Shakespeare
1. 'Broadcasting Censorship: Hollywood's Production Code and A Midsummer Night's Dream' Darlena Ciraulo, University of Central Missouri, USA
2. 'Broadcasting the Bard: Orson Welles, Shakespeare, and War' Robert Sawyer, East Tennessee State University, USA
3. 'This Distracted Globe This Brave New World: Learning from the MIT Global Shakespeares' Twenty-First Century' Diana Henderson, MIT Boston, USA
4. '“Once more to the breach!”: Shakespeare, Wikipedia's Gender Gap, and the Online, Digital Elite' David C. Moberly, University of Minnesota, USA

Part II: Genre and Audience
5. 'Emo Hamlet: Locating Shakespearean Affect in Social Media' Christy Desmet, University of Georgia, USA
6. '“It Is Worth the Listening To”: The Phonograph and the Teaching of Shakespeare in the Early Twentieth-Century America' Joseph Haughey, Northwest Missouri State University, USA
7. 'Juliet, Tumbld: Fan Renovations of Shakespeare's Juliet on Tumblr™', Kirk Hendershott-Kraetzer, Olivet College, USA
8. '“Certain o'er incertainty”: Troilus and Cressida, Ambiguity and the Lewis episode “Generation of Vipers”', Sarah Olive, University of York, UK

Part III: Broadcast the Self: Celebrity and Identity
9. 'Vlogging the Bard: Serialization, Social Media, Shakespeare' Douglas Lanier, University of New Hampshire, USA
10. 'Tweeting Television / Broadcasting the Bard: @HollowCrownFans and Digital Shakespeares', Romano Mullin, Queen's University Belfast, UK
11. '“Somewhere in the World … Someone misquoted Shakespeare. I can sense it": Tom Hiddleston performing the Shakespearean online' Anna Blackwell, DeMontfort University, UK
Afterword: Courtney Lehmann, University of the Pacific, USA

Notes
Index