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Description
How unfair', wrote one national newspaper in 1951, 'that accomplishments enough to satisfy the pride of six men should be united in Mr Day-Lewis.' Poet, translator of classical texts, novelist, detective writer (under the pen-name Nicholas Blake), performer and, at that time, Professor of Poetry at Oxford, C Day-Lewis had many careers all at once. This first authorised biography tells the private story behind the many headlines that this handsome, charming Anglo-Irish Poet Laureate generated in his lifetime.
With unparalleled access to Day-Lewis's archives and the recollections of first-hand witnesses, Peter Stanford traces the link between life and art to reassess the work of a poet lauded in his lifetime but whose literary reputation has latterly become a matter of controversy with Westminster Abbey refusing him the place in Poets' Corner traditionally allotted to Poets Laureate.
Day-Lewis first made his name as one of the 'poets of the thirties', launching a communist-influenced poetic revolution alongside WH Auden and Stephen Spender that aspired to spark wholesale political change to face down fascism.
In the 1940s, 'Red Cecil', as he had become known, broke with communism and Auden and went on to produce some of his most popular and enduring verse, prompted by his long love affair with the novelist, Rosamond Lehmann. Torn between her and his wife, he reflected on his double life in verse and became for some the supreme poet of the divided heart. Later, with his second wife, the actress Jill Balcon, he promoted poetry with a series of popular recitals and radio and television programmes. Together, they had two children, Tamasin and Daniel, later an Oscar-winning actor.
Day-Lewis was always pulled between a fulfilling domestic life and a restless desire to explore. His travels, his exploration of his Irish roots and his infidelities are all part of the rich and many-faceted life that Peter Stanford describes.
It is, however, as a poet that he is best remembered, and the poetry itself, often autobiographical, forms an integral part of this intriguing and long-overdue biography.
Table of Contents
Part One: Youth
1. Never of a land rightfully ours
2. A Hostile Land to Spy
3. A Land of Milk and Honey
4. Black Frost of My Youth
5. Rip Van Winkle Forest
6. The Sunless Stream
7. Eldorados Close to Hand
Part Two: The Thirties
8. The Tow-Haired Poet
9. Lust to Love
10. Farewell Adolescent Moon
11. Radiance from ashes arises
12. Make Your Choice
13. Terra Incognita
14. On A Tilting Deck
15. Dreams Dared Imagine
16. No Man's Land
17. Earth Shakes Beneath Us
Part Three: At War
18. Where Are The War Poets?
19. The Magic Answer
20. The Maturing Field
21. That It Should End So
22. Grinding Himself to Powder
23. Now Comes the Zero
24. In A Dream
Part Four: A Kind of Peace
25. The Estate of Simple Being
26. Find Our Balance
27. Self-Betrayal
28. Change of Address
29. Easing Away
30. Haunted by Darkness
31. Second Childhood
32. Old Captain Death
Epilogue
Acknowledgements
Product details
Published | 27 May 2007 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 384 |
ISBN | 9781441120564 |
Imprint | Continuum |
Illustrations | 12 |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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He tells the story with a lucid command of narrative and an understated wit.
Ferdinand Mount, London Review of Books
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Stanford makes a careful assessment of Day-Lewis's development as a poet through this first part of his life, writing well about Auden's influence and about the ambition to use poetry as both 'an instrument of social change' and a means of bringing 'order to self-consciousness'. He does well, too, in mapping the ways that political interests created problems for his writing as well as driving it forward.
Andrew Motion, Guardian
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Peter Stanford's useful book assembles a vast amount of background detail
Neil Powell, Times Literary Supplement
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This is an intelligent, fair, well-written biography.
Bevis Hillier, Daily Telegraph
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Peter Stanford... has done a great job in assembling various strands of autobiography that fed Day-Lewis's poetic imagination...an important and necessary study.
Irish Times
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Catches [Day-Lewis'] charm. Much more importantly it helps the reader to sympathise with and understand his poetry.
P.J. Kavanagh, Spectator