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Casting the Art of Rhetoric with Theater and Drama
Taking Center Stage
Adrienne E. Hacker Daniels (Anthology Editor) , Christopher Lee Adamczyk (Contributor) , Casey Berner (Contributor) , Ann Broda (Contributor) , Mary P. Caulfield (Contributor) , Courtney Helen Grile (Contributor) , Adrienne E. Hacker Daniels (Contributor) , Amanda Hill (Contributor) , LaReina Hingson (Contributor) , Emma Loerick (Contributor) , Jessica L. Neu (Contributor) , Tony Palmeri (Contributor) , John H. Saunders (Contributor) , Valerie Lynn Schrader (Contributor) , Jefferson Walker (Contributor)
Casting the Art of Rhetoric with Theater and Drama
Taking Center Stage
Adrienne E. Hacker Daniels (Anthology Editor) , Christopher Lee Adamczyk (Contributor) , Casey Berner (Contributor) , Ann Broda (Contributor) , Mary P. Caulfield (Contributor) , Courtney Helen Grile (Contributor) , Adrienne E. Hacker Daniels (Contributor) , Amanda Hill (Contributor) , LaReina Hingson (Contributor) , Emma Loerick (Contributor) , Jessica L. Neu (Contributor) , Tony Palmeri (Contributor) , John H. Saunders (Contributor) , Valerie Lynn Schrader (Contributor) , Jefferson Walker (Contributor)
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Description
Casting the Art of Rhetoric with Theater and Drama: Taking Center Stage explores rhetoric and theater as they relate to one another, developing the understanding of rhetoric as theory and praxis. This book addresses rhetorical themes and cultural resonances, as well as the oft overlooked symbiosis of rhetoric and theater. Rather than addressing audiences as either observers of rhetorical artifacts or theatrical performance, this work demonstrates the intersection of the two, which strengthens theatrical events and their cultural significance. Overall, the volume showcases the many ways in which an understanding of the relationship between rhetorical and poetic theories can benefit dramatic convention and the breaking thereof.
Table of Contents
Valerie Lynn Schrader
Chapter 2: The Rhetoric of identity and Ideology in the Broadway Musical Revival: An Exploration of the Musicals Oklahoma!, West Side Story and Parade
Jessica Neu
Chapter 3: Remember Who You Are: A Rhetorrectional Situation Analysis of “They Live in You” and “He Lives in You” from Disney's The Lion King
Ann Broda
Chapter 4: A Farmer, a Lawyer and a Sage: Identity and Identification in Paulus and Page's 1776
Emma Loerick and Casey Berner
Chapter 5: Devising Democracy: Inclusive Rhetoric and Communication through Devised Theater Processes
Courtney Helen Grile and Amanda Hill
Chapter 6: Performance, Place and Public Memory: To Kill a Mockingbird at Monroeville's Old Courthouse Museum
Jefferson Walker
Chapter 7: The Spectacle of Didacticism in the January 6th Hearings
Tony Palmeri
Chapter 8: Rhetorical Invitation in Straight Line Crazy: Evaluating Robert Moses' Legacy through Drama
Christopher Lee Adamczyk and Mary P. Caulfield
Chapter 9: Understanding Christopher: How The Curious Incident of the Dog in the Night-Time Develops Awareness of the Neurodivergent Community
Valerie Lynn Schrader and Jessica Neu
Chapter 10: Making Voice: Sign Language on Stage
LaReina Hingson
Chapter 11: Children's Theater as Essential “Equipment for Living”
John H. Saunders
Chapter 12: The Missing Link in the Golden Chain: Judaic and Kabbalistic Eloquence in Thornton Wilder's Plays
Adrienne E. Hacker Daniels
Product details

Published | 12 Jun 2025 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 456 |
ISBN | 9781666942033 |
Imprint | Bloomsbury Academic |
Illustrations | 15 bw illus |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Spotlighting the ineluctable antistrophes between rhetoric and dramatic performance, Casting the Art of Rhetoric with Theater and Drama: Taking Center Stage showcases how the art of rhetoric and the rhetoric of art still have much to teach us. Hacker Daniels's volume features a diverse troupe of trope experts and rhetorical critics who push the boundaries of rhetoric and theatre scholarship, offering readers illuminating anagnorises of the musical, political, legal, pedagogical, spatial, and religious stages of symbolic life. Bravo!
Christopher J. Oldenburg, Illinois College, USA
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Hacker Daniels and her colleagues pull back the curtain on the debt of contemporary theatre to 2500 years of rhetoric and dramatic debate. This edited collection is smart, funny, highly readable, thought-provoking, and bound to incite debate. It is like taking a magic carpet from Athens to Broadway, from Sophocles to The Lion King, from Cicero to Thornton Wilder, from Shakespeare to Hamilton, from page to stage, from sheet music to aria, and from oratory to sign language for the deaf.
John Soliday, University of Miami, USA