[Confucius' Courtyard] is a delightful reflection on and exposition of the significance of the courtyard to the Chinese conceptualization of the cosmos and way of life … Ruan elegantly weaves together literary, philosophical, artistic and architectural musings. The book is both learned and readable.

Times Literary Supplement

What can I say? This is a truly magnificent work of scholarship for the understanding of China, one that I have been waiting for – China as a civilization at the centre of which is the courtyard: an architectural feature that embodies the doctrine of the mean set in a material world, compact enough to be readily accessible to reason and lived with due deference to the social rites and rules under Heaven's benign patronage, a world that modern society has vigorously transgressed in recent decades, leading us to wonder, what follows? Unlike many scholarly books Xing Ruan's comes to life, almost jumps off the page, because it draws not only on traditional sources in history and philosophy, but also on charming narratives of how the Chinese people actually lived. It is a book for the scholar's study and for the hammock by the seashore. It is a triumph that I envy!

Yi-Fu Tuan, J.K. Wright and Vilas Professor Emeritus of Geography, University of Wisconsin

An enchanting story paradoxically woven round a void – the courtyard – it offers a fresh account of the transformations of the Chinese city.

Joseph Rykwert, Paul Philippe Cret Professor Emeritus of Architecture, University of Pennsylvania

Xing Ruan grasps a fundamental architectural element as an insightful window for understanding broader issues of society and history. Ruan's elegant prose soars as he weaves nuanced observations, classical Chinese writings, and buildings throughout the world into a cohesive narrative.

Ronald G. Knapp, SUNY Distinguished Professor Emeritus, State University of New York New Paltz

This humane and intelligent study compares courtyard buildings of widely different ages and geographies. Deep insight into architectural world-building is the result. Apparently empty, the courtyard is full of potential, actualized historically in ways that still make sense, even today.

David Leatherbarrow, Professor of Architecture, University of Pennsylvania