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Dispatches from the Classroom
Graduate Students on Creative Writing Pedagogy
Dispatches from the Classroom
Graduate Students on Creative Writing Pedagogy
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Description
With emphasis on practical classroom application, this up-to-date and refreshingly honest collection of essays is a wonderful resource for teaching creative writing. The original and utterly contemporary essays that accurately portray the reality of the teaching experience.
Table of Contents
Introduction
Part I- Laying the Ground Rules
Workshop, Revision, and Grading in the Creative Writing Syllabus
Preventing Tears in Workshop:
Teaching Students How to Give and Receive Criticism
Kristen Gottstein, Georgia State University
Eradicating Reviser's Block:
Bringing Revision to the Foreground
Ashley Cowger, University of Alaska Fairbanks
Confronting the Unavoidable:
Grading Creative Writing
Ashley Wurzbacher, Eastern Washington University
Part II - What Is "Appropriate" for the Workshop?
Censorship, Trauma, and Memory in the Creative Writing Classroom
Invoking the Muzzle:
Censorship and the Creative Writing Workshop
M. Thomas Gammarino, The University of Hawaii
Dear Diary:
Violence, Confession, and (Creative) Writing Pedagogies
Laura Madeline Wiseman, University of Nebraska-Lincoln
What Time Was I Supposed to Remember That?:
Memory, Constraint, and Creative Writing Pedagogy
Michael Dean Clark, University of Wisconsin-Milwaukee
Part III - Teaching "Technique"
Craft Elements and Exercises
Exercises in Authority:
Teaching Fiction and Poetry in the Undergraduate Classroom
Jeremy Lakaszcyck, University of Massachusetts
Write What You Don't Know:
Teaching Creative Research
Joseph Rein, University of Wisconsin-Milwaukee
Making the Parts of the Workshop Come Together:
A Practical Example
Yelizaveta P. Renfro, University of Nebraska-Lincoln
Avoiding Meaning:
A Classroom Exercise to Improve Students' Homophonic Sensibilities
David Bartone, University of Massachusetts, Amherst
Unleashing the Nemesis of Genre Fiction
Karen Gentry, Georgia State University
Specificity of Dialogue:
A Coke is a Soda is a Pop is a Cola
Liane LeMaster, Georgia State University
So Much For That Happy Ending:
Rendering Complex Emotion in Fiction
Anthony J. Sams, University of North Carolina Wilmington
Part IV | The Hybrid TA
Literary Theory, Writing Centers, and the New Creative Writer
Something to Push Up Against:
Using Theory as Creative Pedagogy
Kimberly Quiogue Andrews and John Belk, Pennsylvania State University
Adapting Writing Center Pedagogy for
the Undergraduate Creative Writing Workshop
Janelle Adsit, Colorado State University
Composing Creatively:
Further Crossing Composition/Creative Writing Boundaries
David Yost and Chris Drew, University of Wisconsin-Milwaukee
Part I- Laying the Ground Rules
Workshop, Revision, and Grading in the Creative Writing Syllabus
Preventing Tears in Workshop:
Teaching Students How to Give and Receive Criticism
Kristen Gottstein, Georgia State University
Eradicating Reviser's Block:
Bringing Revision to the Foreground
Ashley Cowger, University of Alaska Fairbanks
Confronting the Unavoidable:
Grading Creative Writing
Ashley Wurzbacher, Eastern Washington University
Part II - What Is "Appropriate" for the Workshop?
Censorship, Trauma, and Memory in the Creative Writing Classroom
Invoking the Muzzle:
Censorship and the Creative Writing Workshop
M. Thomas Gammarino, The University of Hawaii
Dear Diary:
Violence, Confession, and (Creative) Writing Pedagogies
Laura Madeline Wiseman, University of Nebraska-Lincoln
What Time Was I Supposed to Remember That?:
Memory, Constraint, and Creative Writing Pedagogy
Michael Dean Clark, University of Wisconsin-Milwaukee
Part III - Teaching "Technique"
Craft Elements and Exercises
Exercises in Authority:
Teaching Fiction and Poetry in the Undergraduate Classroom
Jeremy Lakaszcyck, University of Massachusetts
Write What You Don't Know:
Teaching Creative Research
Joseph Rein, University of Wisconsin-Milwaukee
Making the Parts of the Workshop Come Together:
A Practical Example
Yelizaveta P. Renfro, University of Nebraska-Lincoln
Avoiding Meaning:
A Classroom Exercise to Improve Students' Homophonic Sensibilities
David Bartone, University of Massachusetts, Amherst
Unleashing the Nemesis of Genre Fiction
Karen Gentry, Georgia State University
Specificity of Dialogue:
A Coke is a Soda is a Pop is a Cola
Liane LeMaster, Georgia State University
So Much For That Happy Ending:
Rendering Complex Emotion in Fiction
Anthony J. Sams, University of North Carolina Wilmington
Part IV | The Hybrid TA
Literary Theory, Writing Centers, and the New Creative Writer
Something to Push Up Against:
Using Theory as Creative Pedagogy
Kimberly Quiogue Andrews and John Belk, Pennsylvania State University
Adapting Writing Center Pedagogy for
the Undergraduate Creative Writing Workshop
Janelle Adsit, Colorado State University
Composing Creatively:
Further Crossing Composition/Creative Writing Boundaries
David Yost and Chris Drew, University of Wisconsin-Milwaukee
Product details
Published | 08 Dec 2011 |
---|---|
Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 240 |
ISBN | 9781441116208 |
Imprint | Continuum |
Publisher | Bloomsbury Publishing |