Alam is scathingly funny ... Entitlement invites comparison to Edith Warton's House of Mirth and Sylvia Plath's Bell Jar ... Books of this calibre transcend personal experience. I barrelled through – propelled by its wit and unshakeable dread – and promptly read it again. Only then could I luxuriate in its tautness. Mundane conversations distil into dazzling singsong and the whole is expertly held together by its narrator's sly interjections. Its stylishness belies discipline, for not a word is wasted. Like New York, it will linger despite its apparently cavalier air

Irish Times

The eagerly awaited follow-up to Alam's brilliant Leave the World Behind, which was made into a Netflix movie by the Obamas, is a searing look at race and class

Australian

Alam knows how to develop a character, measuring each stage in Brooke's corruption carefully against the constants of family and friends. He is also a superb writer about New York, Brooke's sweaty subway journeys being a particular highlight. And his technique of parachuting into other characters' points of view – a hallmark of Leave the World Behind – remains a brilliant way of energising dialogue scenes

Financial Times

Alam's well-honed instinct to endow Brooke with a selfishness that could give any Ottessa Moshfegh protagonist a run for her money – a statement issued here with sincere admiration ... Alam's writing is never more brilliant than when it ridicules corporate America ...The sort of shrewd, propulsive read the word “zeitgeisty” ought to be reserved for

Guardian

Written with Alam's customary alertness to how small details ... can reveal a whole life, Entitlement is an engrossing exploration of the pitfalls of privilege and philanthropy

Spectator

With his slow-building drama and carefully drawn characters, Alam makes clear he is writing fiction rather than creating content ... Artfully, Alam presents Brooke as neither a victim nor a do-gooder, making her instead more selfish than selfless, more prickly than pricked

Times Literary Supplement