This close study, enriched by the author's interviews with some of the film directors, reveals 'the contradictions and ambivalence' about the legacy of Franco-Algerian conflict, often through the lens of the 'theory of the rhizome' ... This book is replete with incisive insights and supported not only with an impressive academic bibliography but also a 'filmography' of the nearly 200 films it cites. Summing Up: Recommended. Lower-division undergraduates through faculty.

CHOICE

[The] Franco-Algerian War through a Twenty-First Century Lens will be of particular interest to film historians who are looking for a more profound comprehension of the cinematic discourse of the Algerian Revolution beyond its historical context.

Review of Middle East Studies

There has been a resurgence of critical interest in filmic representations of the war of Algerian independence in the past ten years ... Wallenbrock's book is a major contributor to this corpus.

H-France

This is a brilliant and important book. The application of theory is exemplary, and - ever attentive to production contexts, neo-colonial tensions and the subtleties of each film text - Wallenbrock engagingly reflects on the ambiguities of recent trans-historical representations of the Franco-Algerian War. A fascinating meditation on memory, violence and cinema.

Guy Austin, Professor of French Studies, Newcastle University, UK

The Franco-Algerian War Through a Twenty-First Century Lens provides a rich analysis of contemporary filmic representations of the war and opens new avenues of inquiry into transnational processes of remembrance.

Jennifer Howell, Associate Professor of French and Francophone Studies, Illinois State University, USA

The centrality of cinema in the Franco-Algerian relationship called for Nicole Wallenbrock's The Franco-Algerian War through a Twenty-First Century Lens. This wonderful scholarly intervention offers a fresh and important look at cinema as a the most visible site in the contest and transmission of the colonial, anticolonial, and post-colonial histories in France and Algeria. Her ability to deploy rigorous historical research, rich and thoughtful analysis of film and filmmakers over the past 70 years, and a personal touch that comes through her sustained oral histories with many leading directors, puts her into a unique class of film scholars. This book illustrates how film and cinema interacted with the past and how our present is informed by the media and art in this increasingly influential transnational arena.

James Le Sueur, Samuel Clark Waugh Distinguished Professor of International Relations and Chair of the Department of History at the University of Nebraska, Lincoln, USA.