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Description
From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.
Table of Contents
Introduction: American Cinema and American Literatures
Chapter 1. 1895–1915: The Attraction of Adaptation
Chapter 2. 1915–1927: American Exotics
Chapter 3. 1927–1939: Novel Impressions
Chapter 4. 1939–1951: Invisible Adaptation
Chapter 5. 1951–1967: Weaponized Bestsellers
Chapter 6. 1967–1975: Counterculture Classics
Chapter 7. 1975–1989: Screening the Silenced
Chapter 8. 1989–2007: Adapt or Die
Chapter 9.2007–2018: Entertainment for Me
Bibliography
Index
Product details
| Published | 13 Jun 2019 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Extent | 464 |
| ISBN | 9781628923711 |
| Imprint | Bloomsbury Academic |
| Illustrations | 91 bw illus |
| Series | The History of World Literatures on Film |
| Publisher | Bloomsbury Publishing |
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