Elegantly written, this is a superb piece of scholarship; it offers an authoritative, comprehensive, and deeply captivating account of German literature on film that pays close attention to the changing political, economic, and technological conditions of film production and reception … This milestone publication will inform generations of Film Studies and German Studies scholars to come.

Prof. Anne Fuchs, University College Dublin, Ireland, Modern Language Review

A most welcome and highly useful addition to scholarly literature on German cinema, Christiane Schönfeld's rich comprehensive history of adaptations based on German-language literary works takes the reader on a remarkable journey from the beginnings of cinema to productions of the present day. While spanning all of the essential epochs in a nation's film legacy, her synoptic study remains resolutely sensitive to adaptations of German works made around the globe as well as contemporary transnational and international productions. Her coverage, as one might expect, includes careful discussion of seminal auteurs and art films, but also grants equal attention to popular cinema in its various countenances, be they works in a variety of generic veins, children's films, Hollywood productions made by exiled directors, or more recent exercises in transmediation. At once acute in her formal analyses and sharply aware of socio-historical determinants and the conditions under which adaptations come into being, Schönfeld has written a major work, indeed the most significant study to date on German film and literature.

Eric Rentschler, Arthur Kingsley Porter Professor of Germanic Languages and Literatures, Harvard University, USA

In elegantly crafted and eloquent prose, Christiane Schönfeld brings to life a history of German film adaptation spanning 130 years and ranging across film industries the length and breadth of Europe. The book expertly surveys existing work in film and literary history, while bringing fresh insights from extensive new research. This volume will be a point of scholarly reference for decades to come.

Erica Carter, Professor of German and Film, King's College London, UK

A magisterial survey and analysis of filmic adaptations of German literature in German film and television. Schönfeld's book opens a window on the ability of film to reflect and reflect on shifting cultural understandings of canonical (and less canonical) German literary texts over the course of the twentieth and twenty-first centuries. Essential reading for all those interested in the history of film – German or otherwise.

Bill Niven, Emeritus Professor of Contemporary German History, Nottingham Trent University, UK

Remarkable… this volume is a tour de force of film historical scholarship.

Choice

Christiane Schönfeld's detailed, informative, and exciting study deals with the productive relationships between German literature and film from the beginnings of film through the early 2020s. Many film productions are necessarily intertwined with their historical context, which they reflect and influence through attempts at manipulation, as with National Socialism or through criticism of the shortcomings in other times and systems. Traditions come into view that would have been forgotten-if it weren't for books like this one. Thus, this film history contributes greatly to our cultural memory.

Stefan Neuhaus, Professor of German Literature, University of Koblenz, Germany