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Description
Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.
Table of Contents
1. Introduction
2. Wilde: The Picture of Dorian Gray (1891)
3. Gide: The Immoralist (1902)
4. Mann and Musil: Death in Venice (1912) and Young Törless (1906)
5. Proust: Cities of the Plain (1921-22)
6. Conrad: Victory (1915)
7. Forster:
A Room With A View 1908)
Maurice (1913-14, 1971)
The Life to Come (1972)
8. T. E. Lawrence: Seven Pillars of Wisdom (1926)
9. D. H. Lawrence:
The White Peacock (1911)
Women in Love (1920)
Aaron's Rod (1922)
The Plumed Serpent (1926)
Bibliography
Notes
Index
2. Wilde: The Picture of Dorian Gray (1891)
3. Gide: The Immoralist (1902)
4. Mann and Musil: Death in Venice (1912) and Young Törless (1906)
5. Proust: Cities of the Plain (1921-22)
6. Conrad: Victory (1915)
7. Forster:
A Room With A View 1908)
Maurice (1913-14, 1971)
The Life to Come (1972)
8. T. E. Lawrence: Seven Pillars of Wisdom (1926)
9. D. H. Lawrence:
The White Peacock (1911)
Women in Love (1920)
Aaron's Rod (1922)
The Plumed Serpent (1926)
Bibliography
Notes
Index
Product details

Published | 06 Oct 2016 |
---|---|
Format | Ebook (PDF) |
Edition | 1st |
Extent | 208 |
ISBN | 9781474287708 |
Imprint | Bloomsbury Academic |
Series | Gender Studies: Bloomsbury Academic Collections |
Publisher | Bloomsbury Publishing |
About the contributors

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