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Illustration and Heritage
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Description
Illustration and Heritage explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field.
Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage.
What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site?
This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.
Table of Contents
Chapter 1 Illustration and Heritage
What is Heritage?
Authenticity and Heritage
The Expanded Field of Illustration
Heritage and Illustration
Chapter 2 Illustration and Historical Voices
A Tool for Empathy
Constructing Voice
Illustration Practitioner as Subject
Illustration Practitioner as Director
Illustration Practitioner as Inventor
A Choral Voice
Chapter 3 Illustration and Historical Collections
Institutional Critique
Working with Archives
The Residency
Illustration Practitioner as Historian
Illustration Practitioner as Assembler
Illustration Practitioner as Guide
Chapter 4 Illustration and Historical Landscapes
Field Work
Illustration Practitioner and the Transient Landscape
Illustration Practitioner and the Virtual Landscape
Future Sites of Practice
Conclusion
Interview Glossary
Bibliography
Index
Acknowledgements
Product details
| Published | 08 Feb 2024 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 192 |
| ISBN | 9781350294189 |
| Imprint | Bloomsbury Visual Arts |
| Illustrations | 55 full colour |
| Series | Bloomsbury Research in Illustration Series |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Makes a case for the social dimension of illustration, and is a valuable resource for any practitioner seeking to challenge institutional narratives, activate historical collections, and engage new audiences with their work
Design and Culture
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As a presentation of current issues in the debate about the role of the artist/illustrator as provocateur in the heritage world, this is an excellent traveller's guide to an underexplored subject.
Julian Walker, Journal of Illustration
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Accessibly written, Illustration and Heritage successfully raises critical propositions for the field, academics and students of illustration.
Ari Chand, Journal of Illustration
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Will interest and inform those curious about the role and capacity of illustrators in heritage contexts, and the ways in which heritage inspires and stimulates illustration practice.
Grace Lees-Maffei, International Journal of Heritage Studies
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Takes an academic approach but is very readable, providing a wealth of information for both illustration experts and newcomers.
'Book of the Month', Quentin Blake Centre for Illustration
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Particularly important for the discussion of work relating to memory.
Hilde Kramer, Journal of Illustration
ONLINE RESOURCES
Bloomsbury Collections
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