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Description

Robert Hamer's 'Dark Ealing' It Always Rains on Sunday (1947) is a claustrophobic domestic melodrama, combining elements of film noir and gritty realism, in the story of a frustrated housewife, Rose Sandigate (Googie Withers), who rekindles a former love affair with an escaped convict, Tommy Swann (John McCallum). Praised by critics upon its release, the film came during a time when Britain had barely begun to recover from World War II and depicted an East End of bombsites, rationing and uneasy gender relations.

Lynda Nead's insightful study argues that Hamer's film captures the mood and experience of post-war Britain in a uniquely visceral style. Examining its intensely dramatic evocation of London's East End, with its crowded terraced homes, constant rain and bleak cold, she unpacks the factors that contribute to the film's atmosphere and the moment of its making: its detailed composition of exteriors and interiors; its representation of women and female desire; and its depiction of men, the husbands, spivs and criminals of this tale of East End streets.

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Table of Contents

Introduction - A Tale of East End Streets
1. Historical Atmosphere
2. The Genius of the Place
3. Blondes and Brunettes - The Women
4. Spivs and Husbands - The Men
Notes
Credits

Product details

Published 01 Oct 2026
Format Ebook (Epub & Mobi)
Edition 1st
Pages 96
ISBN 9781839026959
Imprint British Film Institute
Illustrations 60 bw illus
Series BFI Film Classics
Publisher Bloomsbury Publishing

About the contributors

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