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Description
This is the first dedicated overview of the international television romantic comedy genre, Mary Irwin builds on the critical work on cinematic romantic comedy to offer a dedicated critical analysis of the romantic comedy on the small screen.
Drawing on series from the 1960s to the present day, Irwin presents five themed chapters around the theme of romantic love, from searching for it and finding it to the love wars of the book's title to finding love later in life and in places you didn't expect. Chapters explore the genre's key recurrent themes: evolving attitudes to love, relationships, sex, class and money, feminism and post-feminism, changes in the nuclear family (dramatised through contrasting romantic relationships) and shifting discourses of masculinity, situating them within the specific socio-historic and cultural context in which the series are set.
Throughout, Irwin underscores the centrality of women, their friendships and their personal and professional lives and experiences to the television romantic comedy genre, demonstrating that it is prominence of female characters and their interests and concerns which have most significantly affected the genre's thematic focus. Crucially, this thematic approach allows for explorations both of similarities in representations to be found in series decades apart and the way in which such representations ebb and flow across time. Additionally, the international nature of the comedies selected also makes possible comparison beyond national boundaries.
Table of Contents
1. 'It had to be you': Looking for Love in the Big City
2. 'Now That I've Found You': Perfect Couples and Happy Ever After'
3. Love Wars: Couples in Conflict
4. Second Time Around: Mature Love and Romance
5. 'Odd Couples and Urban Families': Friendship, Work and Love
Conclusion - Television Romantic Comedy: The Case for. Why Aren't People Writing about them?
Endnotes
Bibliography
Index
Product details
| Published | 06 Feb 2025 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 240 |
| ISBN | 9781350120143 |
| Imprint | Bloomsbury Academic |
| Illustrations | 15 b&w integrated |
| Series | Library of Gender and Popular Culture |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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This accessible study gives valuable visibility to a wide range of broadcast TV series chronically neglected as worthy of study. By unpicking different televisual narratives' significance in mediating an elusive tissue of everyday coupling relations and gender roles, Irwin simultaneously rescues women's stories of the post-second wave feminist moment from obscurity, both on and behind the screen. For these reasons and more, Love Wars offers an engaging read to fans as much as scholars.
Mary Harrod, Professor of French and Screen Studies, University of Warwick, UK
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Mary Irwin's Love Wars builds a corpus of the television romantic comedy that helps scholars understand the overlooked and underappreciated role the genre plays in television history.
Alison Wielgus, University of Wisconsin-Superior, USA
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In this much-needed evaluation of television romantic comedy, Irwin draws together the threads of comedy and romance, along with the characteristics and situations of the rom-com genre across decades, to re-evaluate the cultures and reconsider the contexts of the time. Overall, this engaging and thoughtful monograph will be useful to a variety of media, screen, cultural history and gender scholars.
Historical Journal of Film, Radio and Television
ONLINE RESOURCES
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