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Description
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'A brutal, moving memoir … Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines a light on the community she comes from in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young black men dear to her, including her beloved brother – to accidents, murder and suicide.
Their deaths were seemingly unconnected, yet their lives had been connected by identity and place. As Jesmyn dealt with these losses, she came to a staggering truth: the fates of these young men were predetermined by who they were and where they were from, because racism and economic struggle breed a certain kind of bad luck.
The agonising reality brought Jesmyn to write, at last, their true stories and her own.
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'Acute and often beautiful' - Financial Times
'Haunting' - Laurie Penny, New Statesman Books of the Year
'Elegiac, rage-filled, and uncommonly brave' - Vogue
'A brilliant book about beauty and death' - Los Angeles Times
'Essential' - San Francisco Chronicle
'Burns with brilliance' - Harper's Bazaar
'Unvarnished and penetrating' - Elle
Product details
Published | 19 Apr 2018 |
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Format | Paperback |
Edition | 1st |
Extent | 272 |
ISBN | 9781408898727 |
Imprint | Bloomsbury Publishing |
Dimensions | 198 x 129 mm |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A brutal, moving memoir … Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing
Guardian
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When I first read her memoir, Men We Reaped – about five young black men, all of whom died within a span of four years of four years in her life – I understood the weight of grief as one struggles to live ... She is a modern-day William Faulkner, painting tapestries of an America that has not been heard
Lee Daniels, Oscar-nominated director and producer
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Raw, beautiful and dangerous ... Ward's singular voice and her full embrace of her anger and sorrow set this work apart from those that have trodden similar ground
New York Times Book Review
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Acute and often beautiful
Financial Times
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Haunting
Laurie Penny, New Statesman Books of the Year
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Elegiac, rage-filled, and uncommonly brave
Vogue