Steve Beresford is one of the world's great originals. Songwriter, improviser, composer, producer, teacher, lecturer, multi-instrumentalist, pop sideman and elegant hell-raiser, he has crossed, straddled, championed and smashed countless genres, exerting a huge impact on several generations of musicians in the UK and abroad. Filled with wit, humour and insight, these remarkable conversations touch upon a wide variety of Steve's thoughts and philosophy, and provide an essential addition to music scholarship in the 21st century.

John Zorn, composer

There is a lot of noise interfering with the signal of improvised music, the milieu in which Steve Beresford has spent his entire working life as a musician – lots of theories competing for our attention as to what it's all about. But as the conversations in this remarkable book make clear, when you get round down to it, to improvise is to play. And so what we have here is the fascinating and idiosyncratic chronicle of the life and times of a musician who liked to play. Around. A lot. And not just in so-called experimental music circles either, but in multiple other milieus, from reggae and post-punk to theatre and commercial music. Throughout, the desire, the ability, to improvise has remained the imperative. It is the one thing which has enabled this singular musician to play in any given situation, make it count, and not lose his soul in the process.

Tony Herrington, publisher, The Wire

I used to be in awe and slightly terrified of Steve's acerbic wit and aesthetic nimbleness of thought into action. Now I always look forward to playing under his baton in the London Improvisers Orchestra: he just looks so happy. This book leads us through his musical life to date in a series of chats with Andy Hamilton where he has been avidly delving into the spiderwebbed corners of lesser known musical facts, thoughts and anecdotes.

Sylvia Hallett, musician

A profoundly stimulating read – a kind of 21st-century Boswell's Life of Johnson...a book which continually entertains, educates, reflects, informs and chronicles cultural history. ... Hamilton has found a witty, always surprising and digestible way of describing a life and its cultural era.

Chris Searle, Morning Star

Apart from being a major figure in the evolution of the British improvised music scene, Steve Beresford is extremely funny. He also possesses an encyclopaedic knowledge of and experience in many different genres of music. Little wonder then that this is a very amusing and informative book. I was fascinated by Steve's recounting of his adventures with luminaries such as Ivor Cutler and Derek Bailey. I was also struck by his modesty, his inclusive philosophy and the respect he has for the craft of music making. There's a relaxed informality here: Andy gives the conversations freedom to wander – from Bernard Herrmann to the greengrocers' apostrophe; from AMM to the superiority of the American milk carton – and we are all the wiser for it. Throughout hovers a feeling of respect and friendship between the two and I'm reminded of how important it is for humans to be able to meet up, talk, and play music together.

Chris Abrahams, The Necks

Eschewing super-seriousness, whether about Cage-like prepared keyboards or toy pianos … Beresford is a one-off, very British, musician.

Benjamin Ivry, International Piano