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Powell and Pressburger’s War
The Art of Propaganda, 1939-1946
Powell and Pressburger’s War
The Art of Propaganda, 1939-1946
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Description
A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists.
Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists.
Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
Table of Contents
Part One
1. “You are English. I am German. We are enemies”: Anticipating Propaganda in The Spy in Black
2. “Taking the War Against Hitler”: Blockade and Blackout in Contraband
Part Two
3. 49th Parallel and the Dangerous Interpretability of Wartime Propaganda
4. From “We Can Take It” to “V for Victory”: Agency, Gender, and Propaganda in One of Our Aircraft is Missing
5. “England Isn't as Bad as All That”: Propaganda and Censorship in The Life and Death of Colonel Blimp
Part Three
6. “The Values That We Are Fighting For”: Reconciling Tradition and Modernity in A Canterbury Tale
7. Building Up a New Britain: Scotland and Post-War Reconstruction in I Know Where I'm Going!
8. “Conservative by Nature, Labour by Experience”: The Propaganda of Futurity in A Matter of Life and Death
Coda
Index
Product details

Published | 07 Sep 2023 |
---|---|
Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 288 |
ISBN | 9798765105740 |
Imprint | Bloomsbury Academic |
Illustrations | 20 bw illus |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Greg M. Colón Semenza and Garrett A. Sullivan, Jr.'s detailed exploration of Powell and Pressburger's wartime films stands out in its clarity of thought, expression and in the thoroughness of the historical research on display. We get rich analyses of the major wartime feature films, and the authors persuasively tease out the complex tensions they reveal between art and propaganda. There are valuable insights, too, into the way Powell and Pressburger point towards the challenges and possibilities of postwar reconstruction. In this well-crafted book, Semenza and Sullivan ably show that they know where they are going.
Andrew Moor, Reader in Film Studies, Manchester Metropolitan University, UK, and author of Powell and Pressburger: A Cinema of Magic Spaces (2005)
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A historically nuanced account of Powell and Pressburger's wartime and immediately postwar output that not only provides a valuable contribution to scholarship on The Archers themselves but will be of great utility and interest to historians of mid-twentieth-century history, cinema, and Second World War propaganda.
History: The Journal of the Historical Association
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A well-researched variant on the existing scholarly work in the field…Powell and Pressburger's War: The Art of Propaganda, 1939 – 1946 is a comprehensive study and provides a proficient and competent addition to the publications already in existence on the film-making duo.
Journal of British Cinema and Television
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Powell and Pressburger's War is an important new study of some of British cinema's finest films. Semenza and Sullivan demonstrate how Powell and Pressburger combined technical artistry and cultural imagination to meet the changing ideological imperatives of wartime cinema-creating works that are a perfect fusion of art and propaganda. The authors' sympathetic and nuanced analysis does full justice to these richly textured films. I recommend it heartily to all British cinema scholars and Powell and Pressburger aficionados.
James Chapman, Professor of Film Studies, University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television
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Powell and Pressburger's War is an important and worthwhile addition to the growing library on P&P's remarkable career separately and together: British Film enthusiasts and British Film scholars will want to read it.
London Grip

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