The vibrancy of contemporary Japanese theatre is nowhere more evident than in this collection of three plays, all related to Shakespeare, whose texts now serve as a ubiquitous “data base” for Japanese dramatists seeking new creative possibilities, from homage to burlesque. King Lear, Hamlet, and Romeo and Juliet, here brilliantly expanded and transposed, appear in eloquent translations, accompanied by superlative background essays and interviews. A delight for readers or potential performers.

J. Thomas Rimer, University of Pittsburgh, USA

The history of Shakespeare in Japan is one of the most unique, idiosyncratic and interesting branches of 'global Shakespeare'. Hitherto scholars have focused mainly on Japanese translation, cultural reception and performance. This book takes the discipline to the next level, providing translated examples of free adaptations, together with substantial critical explication and contextualisation. An invaluable resource for the expanding study of a fascinating cultural field.

Graham Holderness, writer and critic