Bloomsbury Home
- Home
- ACADEMIC
- Drama & Performance Studies
- Theatre Making
- Research and Development in British Theatre
Research and Development in British Theatre
Research and Development in British Theatre
You must sign in to add this item to your wishlist. Please sign in or create an account
Description
This is the first book to explore the rich range of research and development (R&D) practices in contemporary British theatremaking. Featuring chapters by internationally recognised researchers, as well as interviews with innovative theatremakers, this book analyses the work of some of the most exciting theatre companies in Britain. This collection draws on conversations with Selina Thompson, Rosie Elnile, Third Angel and many others, offering hints and tips for your own creative practice. The book argues passionately for the funding of R&D, recognising its enormous significance to British theatre-making processes.
Table of Contents
Introduction
1. Warped virtuosity and wobbly visuals: skills-learning in R&D: Karen Quigley
2. Interview with Selina Thompson
3. R&D in public: Scratch at Battersea Arts Centre: Mark Love-Smith
4. Interview with Gilly Roche
5. R&D at the National Theatre Studio: London Road: Tom Cantrell
6. Interview with Lillian Henley
7. Percolating and plummeting: Artist perspectives on R&D: Deborah Pearson
8. Interview with Rosemary Jenkinson
9. Questions, materiality, and negotiation: the role of the designer in R&D: Katherine Graham
10. Interview with Rosie Elnile
11. Developing a dramaturgical praxis through repetitive R&D: Rebecca Benzie, Harry Kingscott, and Nora J. Williams
12. Interview with Alex Kelly and Rachael Walton
13. Movement direction as R&D: Ayse Tashkiran
14. Interview with Georgina Lamb
Afterword: Duška Radosavljevic
Product details

Published | 29 May 2025 |
---|---|
Format | Ebook (PDF) |
Edition | 1st |
Extent | 216 |
ISBN | 9781350300385 |
Imprint | Methuen Drama |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
-
This book is a revelation, enabling the reader to go up-stream and see the sources of shows from the first inklings in the minds of their makers. By mixing trenchant argument and analysis with insightful first-person interviews with key theatre folk, it builds to a compelling case for the need for R&D and a rallying cry for it to be funded.
Steve Waters, Professor of Scriptwriting, University of East Anglia, UK

ONLINE RESOURCES
Bloomsbury Collections
This book is available on Bloomsbury Collections where your library has access.