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The Science Fiction Film in Contemporary Hollywood
A Social Semiotics of Bodies and Worlds
The Science Fiction Film in Contemporary Hollywood
A Social Semiotics of Bodies and Worlds
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Description
The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles, which are placed in their historical context, and are analyzed in relation to cultural discourses, such as technological embodiment, race, animal-human relations, environmentalism, global capitalism, and the techno-scientific Empire. By considering these cycles -which include superhero films, creature films, space operas, among others-as expressions of the genre's basic oppositions, the book facilitates the comparison and juxtaposition of films that have rarely been discussed in tandem, offering a new perspective on the multiple articulations of the SF film in the new millennium.
Table of Contents
Acknowledgments
Introduction: History, theory, science fiction (SF) film
Part I: Theory/History
1. Uncovering the deep and surface structures of SF film
2. Conglomerate Hollywood, technology and filmmakers
Part II: The Cycles: SF Bodies/SF Worlds
SF Bodies
3. The techno-humans cycle. The exceptional and the ordinary technological body
4. The alien encounters cycle. The millennial ambiguity of the Other
5. The creatures cycle. The organic, the mechanic and the in-between
SF Worlds
6. The dystopia/utopia cycle. Surviving ecopolitical disasters
7. The zones cycle. The enclosed spatiotemporalities of global capitalism
8. The fantastic worlds cycle. The spectacular technoscientific Empire
Epilogue
Notes
Bibliography
Index
Product details
| Published | 27 Jul 2023 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 240 |
| ISBN | 9781501380211 |
| Imprint | Bloomsbury Academic |
| Illustrations | 24 bw illus |
| Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Adapting a dynamic version of semiotic theory, Stefanopoulou's study advances both a structural and social approach to one of today's most popular film genres. The result is a novel, ambitious, and indeed impressive effort at creating a theoretical map of-and informative guide to-the dizzying varieties of millennial science fiction narratives, as well as to the multiple, often contradictory, and invariably political discourses that they evoke.
J. P. Telotte, Professor Emeritus of Film and Media, Georgia Institute of Technology, USA, and editor of The Oxford Handbook of New Science Fiction Cinemas
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Genres are fluid and ever shifting, but from A.I. to X-Men, Stefanopoulou nonetheless succeeds in rigorously mapping Hollywood sf in the new millennium.
Mark Bould, Professor of Film and Literature, University of the West of England Bristol, UK
ONLINE RESOURCES
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