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Shakespeare in the Theatre: Reduced Shakespeare Company
Shakespeare in the Theatre: Reduced Shakespeare Company
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Description
The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.
The Reduced Shakespeare Company represent an American tale of how a small-scale, open-air troupe have, since their formation in 1981, gradually expanded into a global theatre brand. Specialising in fast-paced, irreverent reductions of prominent topics, their first play, The Complete Works of William Shakespeare (abridged), has been translated into thirty-eight languages, and ran continuously for nine years in London's West End.
Each chapter of this book addresses a specific period in the company's history during which their focus was on Shakespearean adaptation. It begins with their origin story up to and beyond 1987's Complete Works, before exploring their audio work in The Reduced Shakespeare Company Radio Show (1994) and the Reduced Shakespeare Company Podcast (2006-present). The book then addresses the RSC's Shakespearean renaissance of the 2010s and later, in William Shakespeare's Long Lost First Play (abridged) (2018) and The Comedy of Hamlet! (a prequel) (2023). It concludes with an Epilogue that considers their influence and legacy, presents a blueprint for reduction and contextualises the company within the ecosystem of contemporary performance.
Drawing on previously unexamined archival material, author interviews with the company's five key players and attendance at rehearsals and performances in America and Britain, this book presents the inaugural critical analysis of the RSC's blend of audience interaction, metatheatre, parody, pop culture references, Shakespearean intertextuality and vaudevillian humour.
Table of Contents
Acknowledgements
Note on the Text
List of Abbreviations
Series Preface
Introduction: The Other RSC
1. 'Give us your cash, if we be friends': The Complete Works of William Shakespeare (abridged) (1981-1992)
2. 'It's audio footnote time!': The Reduced Shakespeare Company Radio Show (1993-1994)
3. 'It's a faux-lio!': William Shakespeare's Long Lost First Play (abridged) (2010-2018)
4. An Interview with Reed Martin and Austin Tichenor: The Comedy of Hamlet! (a prequel) (2019-2024)
Epilogue: The Rest is Reduction
Notes
References
Index
Product details

Published | 11 Dec 2025 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 224 |
ISBN | 9781350457621 |
Imprint | The Arden Shakespeare |
Illustrations | 13 bw illus |
Series | Shakespeare in the Theatre |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Ronan Hatfull's account of the Reduced Shakespeare Company exemplifies that company's practice in its own playful approach to comprehensive efficiency. Rarely pausing for breath, Hatfull sets out for the first time the history, practice and influence of the real RSC's game-changing work, without spoiling any of the jokes. Combining rigorous close analysis of the company's plays with thoughtful theorization of the metamodern sensibilities of its pop culture mash-ups, Hatfull's work successfully demonstrates that serious scholarly attention must finally be paid to this most unserious of companies.
Peter Kirwan, Mary Baldwin University, USA
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In this most exquisite study of excellent conceited parodies, Ronan Hatfull offers a longitudinal study of the Reduced Shakespeare Company. Like the liquid that has been simmered to intensify its flavors, RSC's abridgements and sketches bring out the best and worst in the canon to entertain generations of audiences. Hatfull argues ultimately that the RSC participates in metamodernism, oscillating between being sincere and ironic. The book concludes with the Ten Commandments of theatrical reduction with broad implications.
Alexa Alice Joubin, Great Western University and MIT, USA