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Shakespeare's Theatres and the Effects of Performance
Shakespeare's Theatres and the Effects of Performance
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Description
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays?
Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Table of Contents
Andrew Gurr
List of Illustrations
List of Contributors
Introduction
Farah-Karim Cooper and Tiffany Stern
Part One: The Fabric of Early Modern Theatres
1. 'This Wide and Universal Theatre': the Theatre as Prop in Shakespeare's Metadrama
Tiffany Stern
2. Storm effects in Shakespeare
Gwilym Jones
3. Performing Materiality: Curtains on the Early Modern Stage
Nathalie Rivere de Carles
Part Two: Technologies of the Body
4. 'They eat each others' arms': Stage Blood and Body Parts
Lucy Munro
5. Cosmetic Transformations
Andrea Stevens
6. Costume, Disguise and Self-Display
Bridget Escolme
7. Character Acting
Paul Menzer
Part 3: The Sensory Stage
8. Within , Without, Withinwards: The Circulation of Sound in Shakespeare's Theatre
Bruce R. Smith
9. 'As Dirty as Smithfield and As Stinking Every Whit': The Smell of the Hope Theatre
Holly Dugan
10. Touch and Taste in Shakespeare's Theatres
Farah Karim-Cooper
11. 'Sight and Spectacle'
12. Evelyn Tribble
Notes
Index
Product details

Published | 05 Jan 2015 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 306 |
ISBN | 9781408157053 |
Imprint | The Arden Shakespeare |
Illustrations | 12 bw in-text illus |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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The volume is a useful touchstone for scholars working on the senses, as well as being an authoritative introduction to the possible reception of the plays in early modern theatres
Johann Gregory, University of East Anglia, UK, Notes and Queries
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This collection's successful three-part structure ... investigates the fabric of early modern theatre-houses, the technologies of staging bodies and drama's evocation of the senses. The wonderfully diverse range of subjects brings this all to life.
Eleanor Decamp, Around the Globe
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With the opening of another reconstructed (or 'reimagined') early modern theatre in the Sam Wanamaker playhouse, and continued experimentation around the performance and practice of early modern drama more generally, this is a timely and thought-provoking volume about how the companies enacted and produced theatrical effects...
Eoin Price, Eleanor Collins, Helen F. Smith, Chloe Preedy And Jem Bloomfield, Year's Work in English Studies

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