Student-Centered Voice Pedagogy

Working with Students toward Developing Artistry, Authenticity, and Autonomy

Student-Centered Voice Pedagogy cover

Description

This cutting-edge volume brings together educational research and practical strategies to align voice pedagogy with the twenty-first century teacher and student.

Using a student-centered focus as a philosophical foundation, the book offers a blueprint for developing an inclusive approach when working with singers and cultivating a healthy mindset for vocal performance and learning across all genres. Chapters review concepts geared toward best practices for teaching and learning in the applied studio environment. Specific strategies consider the changing landscape of the vocal world as well as changes the voice encounters as it evolves over the course of a lifetime.

Part one provides insight into the practice of student-centered teaching and learning while the part two shares insights from different educational contexts, including working with trans singers, choral versus solo singing, and fostering a culturally responsive approach in the studio. Blending the academic worlds of education, voice science, and musical performance allows for opportunities to find commonalities in practice and encourages an open-minded and growth-oriented approach to voice pedagogy. As the voice changes across a lifetime, so does the informed pedagogue who evolves and develops as a practitioner.

Table of Contents

Foreword
Introduction

PART I

Chapter 1. Student-Centered Strategies for the Applied Voice Studio: A Brief Overview
Jeanne Goffi-Fynn (Teachers College, Columbia University)

Chapter 2. Rapport
Makiko Ueda

Chapter 3. Motivation
Christianne Roll (Florida Southern College)

Chapter 4. Critical Thinking in the Voice Studio
Robin Freeman (Simon Fraser University)

Chapter 5. Assessment in the Voice Studio
Amanda Flynn (Pace University)

PART II

Chapter 6. Overview of the Voice
Jeanne Goffi-Fynn (Teachers College, Columbia University)

Chapter 7. Practice Strategies: Developing Autonomy in Learning
Colette Young (Teachers College, Columbia University)

Chapter 8. Connecting the Ensemble Experience with Vocal Development
Derrick L. Thompson (Kutztown University)

Chapter 9. Muscle Tension Dysphonia: A Student-Centered Approach
Felix Graham

Chapter 10. Transgender Voice: A Student-Centered Lens for Transitioning Voices
Felix Graham

Chapter 11. Coconstructing Your Own Curriculum: Promoting Student Agency and Individual Voice Development
Jeanne Goffi-Fynn (Teachers College, Columbia University); Chris Citera (Molloy University/CAP21); Emily Hudson (St. Ignatius Loyola, NYC)

About the Authors
Bibliography
Index

Product details

Bloomsbury Academic Test
Published 07 Aug 2025
Format Ebook (PDF)
Edition 1st
Extent 208
ISBN 9798765155011
Imprint Bloomsbury Academic
Illustrations 29 bw lineart
Publisher Bloomsbury Publishing

About the contributors

Anthology Editor

Matthew Hoch

Matthew Hoch is a Professor of Voice at Auburn Uni…

Anthology Editor

Jeanne Goffi-Fynn

Jeanne Goffi-Fynn is Senior Lecturer and Director…

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