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Description
Launching a much-needed new series discussing each comedy that survives from the ancient world, this volume is a vital companion to Terence's earliest comedy, Andria, highlighting its context, themes, staging and legacy. Ideal for students it assumes no knowledge of Latin, but is helpful also for scholars wanting a quick introduction. This will be the first port of call for anyone studying or researching the play.
Though Andria launched Terence's career as a dramatist at Rome, it has attracted comparatively little attention from modern critics. It is nevertheless a play of great interest, not least for the sensitivity with which it portrays family relationships and for its influence on later dramatists. It also presents students of Roman comedy with all the features that came to characterize Terence's particular version of traditional comedy, and it raises all the interpretive questions that have dogged the study of Terence for generations. This volume will use a close reading of the play to explore the central issues in understanding Terence's style of play-making and its legacy.
Table of Contents
List of Titles and Abbreviations
Preface
Terence: A Biographical Note
1. Comedy at Rome
2. Terence, a New Voice?
3. Andria Unfolds Itself
4. From Stage to Page… and Back Again
5. The Translators' Dilemma
Appendix 1: Donatus on Menander
Appendix 2: Chronology
Notes
Guide to Further Reading and Works Cited
Index
Product details

Published | 10 Jan 2019 |
---|---|
Format | Ebook (PDF) |
Edition | 1st |
Extent | 160 |
ISBN | 9781350020658 |
Imprint | Bloomsbury Academic |
Illustrations | 4 bw illus |
Series | Bloomsbury Ancient Comedy Companions |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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Sander Goldberg's Companion is a highly engaging, deeply learned introduction to the Andria that speaks directly to the concerns of contemporary readers, guiding us through the controversies of this play with good sense and sound judgement and offering rich insight into the challenges of replicating Terence in translation, as Prof. Goldberg introduces us to the scholars and adaptors who have brought the play to new audiences over the past two millennia.
Ariana Traill, Associate Professor of Classics, University of Illinois at Urbana-Champaign, USA

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