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Shortlisted for the PEN Hessell-Tiltman Prize 2022
Longlisted for the William M B Berger Prize for British Art History 2022
A boldly original work that tells the powerful stories of a group of extraordinary women as glimpsed through their still life paintings
**Picked as an Art Book of the Year 2021 by the Guardian**
'As seductive as it is scholarly ... Riveting' Financial Times
'A wonderfully rich, deeply researched page-turner ... Sumptuous, precise and bewitching' Jennifer Higgie
'Playful, provocative ... Her attentive, evocative prose renderings of paintings are pleasures in themselves' Times Literary Supplement
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Lemons gleam in a bowl. Flowers fan out softly in a vase. A door swings open in a sparsely furnished room. What is contained in a still life – and what falls out of the frame?
For women artists in the early twentieth century, including Ethel Sands, Nina Hamnett, Vanessa Bell and Gwen John, who lived in and around the Bloomsbury Group, the still life was a conduit for their lives, their rebellions, their quiet loves for men and women. Gluck, who challenged the framing of her gender and her art, painted flowers arranged by the woman she loved; Dora Carrington, a Slade School graduate, recorded eggs on a table at Tidmarsh Mill, where she built a richly fulfilling if delicate life with Lytton Strachey.
But for every artist we remember, there is one we have forgotten, who leaves only elusive traces, whose art was replaced by being a mother or wife, whose remaining artworks lie dusty in archives or attics.
In this boldly original blend of group biography and art criticism, Rebecca Birrell brings these shadowy figures into the light and conducts a dazzling investigation into the structures of intimacy that make – and dismantle – our worlds.
'Unusual and refreshing ... Brilliant' Leanne Shapton
'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' Thérèse Oulton
'[A] wonderful book. I am impressed and fascinated. It is beautifully written' Celia Paul
'A magnificent debut by one of Britain's most electrifying new talents' Camilla Grudova
'A bold, unusual book, filled with archival research, exuberant ideas and a determination to counter misogyny' Diana Souhami, RA Magazine
Published | 28 Aug 2021 |
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Format | Hardback |
Edition | 1st |
Extent | 384 |
ISBN | 9781526604019 |
Imprint | Bloomsbury Publishing |
Dimensions | 234 x 153 mm |
Publisher | Bloomsbury Publishing |
Blending flights of poetic rhapsody with more traditional critical language, This Dark Country is as seductive as it is scholarly ... Riveting
Financial Times
[A] wonderful book. I am impressed and fascinated. It is beautifully written. Each woman artist, in this superb book, addresses the need to transform the confines she inhabits into a space of empowerment. These artists all lived and worked in the first part of the twentieth century yet their legacy continues to be relevant
Celia Paul
A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!
Thérèse Oulton
A beautifully written and important art historical work, This Dark Country is a magnificent debut by one of Britain's most electrifying new talents. I cannot wait to read what she writes next!
Camilla Grudova, author of THE DOLL's ALPHABET
[An] unusual and refreshing group biography of artists ... I loved Birrell's brilliant re-apprehension of Rodin's The Thinker through the experience of Gwen John. And her explanation of the magnitude of rooms and importance of room, in these women's lives
Leanne Shapton
[A] beautiful, bold new book … explores the desires and ambitions of women artists, moving beyond the frame to reflect lives that rarely fit convention
Chlöe Ashby, Elephant
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