Engaging and accessible.

The New Arab

“After viewing thousands of hours of citizen-made video from the B'Tselem Camera Project archive, Liat Berdugo has written a complex and moving study of the Palestinian struggle for visibility and self-representation in the face of overwhelming Israeli military and media domination. Through a series of case studies, the book analyzes the different ways the video camera has been used by Palestinians and other media activists to counter the visual dominance of the Israeli regime. Meticulously researched and theoretically informed, it adds significantly to the study of grassroots activist media practices and the counter-tactics of visual representation when the camera has become weaponized."

Jeffrey Skoller, Film & Media Studies, University of California, Berkeley, USA

Berdugo's entrance into the B'Tselem audio-visual archive is a passage into a thick forest of gazes, lenses and bullets, where vision is often impaired, and darkness prevails. But from this obscure night, Berdugo brilliantly proposes a taxonomy of cameras that illuminates new ways out of the political impasse that renders the violence in Israel-Palestine both spectacularly visible and systematically concealed. Extracting moments and fragments from the B'Tselem archive, Berdugo exposes yet another 'order of things', wherein cameras emancipate and shield inasmuch as they are wielded as weapons.

Daniel Mann, King's College London, UK