This is what poetry looks like when you have nothing to lose, when you speak from the heart, when you have spent years honing your craft so that you can be free. This is what poetry looks like when you are a word-sorcerer, a linguistic swordsman, a metaphor-dazzler, a passionate creator of poetry as fire, as lament, as beauty, as reflection, as argument, as home. I was blown away by this book

BERNARDINE EVARISTO, Booker Prize-winning author of Girl, Woman, Other

Bristles with energy, reflecting how these poems were written, directly on to his phone in moments grabbed while travelling, between meetings, before sleeping, while sleeping . . . The square lyrics, prose-like in appearance, are consistently vivid, whether Ellams is taking on the biggest of subjects – Shakespeare, Trump, empire – or ruminating on quieter, more tender moments, especially on the endless failings of men

Rishi Dastidar, GUARDIAN

This first collection is a masterclass in subtlety: poems that manage to be tender, angry, vulnerable, sad, funny, yearning and interrogating of history, both recent and long ago, all at once. It's a phenomenal piece of work about what it is to exist in this time, and his dissection of pop culture, colonialism, social interactions and the cruelty of the world, of men, of systems will be read and studied for years

NIKESH SHUKLA, editor of The Good Immigrant