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Philip Ridley
Categories:
Author of:
The American Dreams,
Dark Vanilla Jungle and other monologues,
The Fastest Clock in the Universe,
Feathers in the Snow,
Ghost From A Perfect Place,
Karagula,
The Krays,
Leaves of Glass,
Leaves of Glass,
Mercury Fur,
Moonfleece,
Piranha Heights,
Piranha Heights,
The Pitchfork Disney,
The Poltergeist,
Radiant Vermin,
Ridley Plays 1,
Ridley Plays: 2,
Shivered,
The Storyteller Sequence,
Tarantula,
Tender Napalm,
Theatre in Times of Crisis,
Tonight With Donny Stixx,
The Vespers,
Vincent River
Contributor:
Biography
Philip Ridley was born and grew up in the East End of London. He studied painting at St Martin’s School of Art. He has written many highly regarded and hugely influential stage plays: the seminal The Pitchfork Disney (now published as a Methuen Modern Classic), The Fastest Clock in the Universe (winner of a Time Out Award, the Critics’ Circle Award for Most Promising Playwright, and the Meyer-Whitworth Prize), Ghost from a Perfect Place, Vincent River (nominated for the London Festival Fringe Best Play Award), the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights (nominated for the WhatsOnStage Mobius Award for Best Off West End Production), Tender Napalm (nominated for the London Fringe Best Play Award), Shivered (nominated for the OffWestEnd Best New Play Award), Dark Vanilla Jungle (winner of an Edinburgh Festival Fringe First Award), Radiant Vermin (now published as a Methuen Modern Classic), Tonight With Donny Stixx, Karagula (nominated for the OffWestEnd Best New Play Award), The Beast of Blue Yonder, The Poltergeist (winner of the OffWestEnd OnComm Award for Best Live Streamed Play) and Tarantula; plus several plays for young people (collectively known as The Storyteller Sequence): Karamazoo, Fairytaleheart, Moonfleece (named as one of the 50 Best Works About Cultural Diversity by the National Centre for Children’s Books), the seminal Sparkleshark (the first of the Connections Festival plays – all written for young people – to be staged professionally by the National Theatre), and Brokenville; also, Feathers in the Snow (shortlisted for the Brian Way Best Play Award).