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The Conservatoire Américain

A History

The Conservatoire Américain cover

The Conservatoire Américain

A History

Description

The Conservatoire Américain, the French musical institution at the Palais de Fontainebleau, was responsible for training generations of American musicians. Its students and faculty are among some of the most influential musical figures of the twentieth century, including Aaron Copland, Nadia Boulanger, and Elliott Carter. Within its walls, students were introduced to great French composers like Maurice Ravel, Jean Françaix, and Darius Milhaud, many of whom wrote works specifically for Fontainebleau attendees. It brought performers into the recording age and encouraged women to pursue solo musical careers at a time when such a thing was exceptionally rare among Americans.

The Conservatoire Américain: A History is the first full-length narrative of this institution. Drawing on rare materials from the Conservatoire's archives, combining them with personal correspondence, interviews, and first-person narratives with students and faculty, author Kendra Preston Leonard discusses a variety of topics important to the institution. These topics include-among others-the dissemination of French repertoire during the twentieth century, the pedagogical approaches used in teaching American music students, the impact of training Americans abroad, and the influence their French training had on performance, interpretation, and composition. The book concludes with several appendixes offering comprehensive reference information on the school's practices, the courses offered, awards and diplomas given, and notable students, faculty, and guest artists who attended the institution.

Table of Contents

Part 1 Acknowledgments
Part 2 Introduction
Part 3 A Note on Bibliographic Abbreviations
Part 4 Prologue Francis Casadesus's Manifesto and the Founding of the Conservatoire Américain (1918-1920)
Part 5 Part I: The Institution without Precedent
Chapter 6 Chapter 1 The Institution without Precedent (1921-1928)
Chapter 7 Chapter 2 The Age of Opulence (1929-1939)
Chapter 8 Chapter 3 Interlude 1: Elizabeth Saylor (1939)
Part 9 Part II: Exile and War
Chapter 10 Chapter 4 At Home in Exile (1940-1945)
Chapter 11 Chapter 5 Reconstruction (1946-1948)
Chapter 12 Chapter 6 Interlude 2: Gaby Casadesus (1946)
Part 13 Part III: "La Belle Dame sans Merci"
Chapter 14 Chapter 7 A New Era (1949-1957)
Chapter 15 Chapter 8 La Belle Dame sans Merci (1958-1979)
Chapter 16 Chapter 9 Interlude 3: Emile Naoumoff (1970s)
Part 17 Part IV: "Apres Elle le Deluge"
Chapter 18 Chapter 10 "Apres Elle le Deluge" (1980-1987)
Chapter 19 Chapter 11 The Schism Opens (1988-1993)
Part 20 Part V: The Frog Radio
Chapter 21 Chapter 12 The Frog Radio (1994-present)
Part 22 Epilogue Nutrisco et Extinguo
Part 23 A Note on the Appendixes
Part 24 Appendix A A Timeline of the Conservatoire Américain
Part 25 Appendix B Curriculum Offered at the Conservatoire Américain
Part 26 Appendix C Directors of the Conservatoire Américain
Part 27 Appendix D Selected Professors of the Conservatoire Américain
Part 28 Appendix E Selected Guest Artists at the Conservatoire Américain
Part 29 Appendix F Selected Notable Students of the Conservatoire Américain
Part 30 Appendix G Dimplomas and Awards of the Conservatoire Américain
Part 31 Bibliography
Part 32 Index
Part 33 About the Author

Product details

Published 05 Jan 2007
Format Paperback
Edition 1st
Extent 312
ISBN 9780810857322
Imprint Scarecrow Press
Dimensions 228 x 149 mm
Publisher Bloomsbury Publishing

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