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Exploiting East Asian Cinemas
Genre, Circulation, Reception
Exploiting East Asian Cinemas
Genre, Circulation, Reception
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Description
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation.
Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
Table of Contents
Acknowledgments
Foreword Julian Stringer (University of Nottingham, UK)
Notes on Text
Editors' IntroductionKen Provencher (Josai International University, Japan) and Mike Dillon (California State University at Fullerton, USA)
Part I: Genres Without Borders
1. Steampunked Kung Fu: Technologized Modernity in Stephen Fung's Tai Chi Films Kenneth Chan (University of Northern Colorado, USA)
2. Oru kaiju dai shingeki (All monsters attack!): The regional and transnational exploitation of the kaiju eiga Steven Rawle (York St. John University, UK)
3. Blood and Blades: Transnational Heroic Violence in Twilight Samurai and The Last Samurai Ken Provencher (Josai International University, Japan)
Part II: The Exploitation Marketplace
4. Dragons, Ninjas, and Kickboxers: The Minor Transnational Action Films of IFD Man-Fung Yip (University of Oklahoma, USA)
5. Asia Restrained: J-Horror's Poor Beginnings and the Mismarketing of Excess Tom Mes (The Midnight Eye)
6. Gifting Beauty: The Exploitations of Fan Bingbing Mila Zuo (Oregon State University, USA)
Part III: Exploitation, Art, and Politics
7. Kitano's Outrageous Exploitation Cinema: Yakuza Nobility and the Biopolitics of Crime Elena del Río (University of Alberta, Canada)
8. A Cinematic Half-Twist: Art, Exploitation, and the Subversion of Sexual Norms in Kim Ki-duk's Moebius Hye Seung Chung and David Scott Diffrient (Colorado State University, USA)
9. Hara Kazuo and Extreme Private Eros: Love Song 1974 (1974) Jun Okada (State University of New York at Geneseo, USA)
10. Don't Bother to Dispatch the FBI: Representations of Serial Killers in New Korean Cinema Kyu Hyun Kim (University of California Davis, USA)
Select Bibliography
Notes on Contributors
Index
Product details
| Published | 25 Jul 2019 |
|---|---|
| Format | Paperback |
| Edition | 1st |
| Extent | 248 |
| ISBN | 9781501354892 |
| Imprint | Bloomsbury Academic |
| Illustrations | 22 bw illus |
| Dimensions | 229 x 152 mm |
| Series | Global Exploitation Cinemas |
| Publisher | Bloomsbury Publishing |
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