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Description
Today, cultural practices and institutions shape nearly every aspect of our lives. Giroux takes up this issue by looking at the world's most influential corporation. He explores the diverse ways in which the Disney Corporation has become a political force in shaping images of public memory, producing children as consuming subjects, and legitimating ideological positions that constitute a deeply conservative and disturbing view of the roles imparted to children and adults alike. Giroux shows how Disney attempts to hide behind a cloak of innocence and entertainment, while simultaneously exercising its influence as a major force on both global economics and cultural learning. Disney is among several corporations that not only preside over international media, but also outstrip the traditional practices of schooling in shaping the desires, needs, and futures of today's children. Written by one of the nation's leading cultural critics, this book is important reading for anyone interested in education, society, and political culture.
Table of Contents
Chapter 2 Disney and the Politics of Public Culture
Chapter 3 Learning with Disney
Chapter 4 Children's Culture and Disney's Animated Films
Chapter 5 Memory, Nation, and Family in Disney Films
Chapter 6 Turning America into a Toy Store
Chapter 7 Index
Chapter 8 About the Author
Product details
Published | 11 Apr 2001 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 208 |
ISBN | 9781461644859 |
Imprint | Rowman & Littlefield Publishers |
Series | Culture and Education Series |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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An absolutely fascinating book about our children and commercial culture! A brilliant, lively, and complex analysis by one of the most interesting public intellectuals in the United States-and one that is remarkably fair-minded. Giroux does not deny the real delight that Disney brings our children. What he questions, really, are the 'uses' of delight-and, at a deeper level, the misuse of innocence. All in all, a freshly written, unusually invigorating book that even fans of Mickey Mouse will find compelling.
Jonathan Kozol, National Book Award winner and author of "Savage Inequalities" and "Death at an Early Age"
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Lost in the vast wilderness of 'Disney studies?' Henry Giroux's stunning meditation on what the Disney empire teaches children is like having a compass in the enchanted forest. Like all of his work, he never wanders from his ultimate course: a radical democratic vision. Anyone who hopes to challenge the Imagineering of America and the world and promote an educational culture free of corporate domination must read this book.
Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination
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Henry Giroux has led the way in contemporary cultural studies in insisting on the need to address the critical question of the effects on children of cultural production and representation. Giroux links the cultural messages promoted by Disney Inc. to the corporate economy, exploitative, and exclusionary practices it at once represents and pushes. In doing so, he faces squarely and analyzes uncompromisingly the implication for democratic politics of culture and desire, education and entertainment, representation and responsibility that most critics fail to register, let alone face.
David Theo Goldberg, Director, Humanities Research Institute, University of California
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Henry Giroux's pioneering spirit of inquiry never ceases to impress. Here he opens our eyes to the messages that consumer mass culture sends to our children, our schools, our homes. What you see is not what you get-read this book and learn what that is.
Homi Bhabha, Tripp Professor in the Humanities, University of Chicago
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Henry Giroux's provocative study interrogates the pedagogy of the Disney empire, dissecting the many ways that Disney films, advertising, theme parks, and products transmit a view of the world, teach us values, and are thus an important vehicle of socialization and education. This excellent study shows us how cultural studies can address key issues of the contemporary world and provide tools of analysis, critique, and contextualization that enable us to gain critical insight into the cultural forces that shape us and to resist their seductive power.
Douglas Kellner, UCLA; author of Media Culture and Media Spectacle and the Crisis of Democracy
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Readers awed by the broad power of Disney Company should read this critical examination.
Ideal supplementary material for students examining the commercialism of American culture.Booklist