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Description
Generously illustrated, and richly woven with personal memoir, Pitchers of American Life is a survey of pitchers, jugs, and drinking vessels, tracing their role as representative art and collective tool.
Today, when many of our possessions are no longer tools that make us feel more human but less so, it is important to take stock of an everyday manufacture that does humanize us. The use and reuse of a communal tool can broaden our awareness of collective cultural dialogues, our sense of kinship, and our sense of the mystical sensation of coziness.
Each of the 12 communal drinking vessels examined, from Ancestral Pueblo ceramic to Colonial Boston silver, and from a Victorian-era "saloon" jug to a Machine Age punchbowl, is interpreted as a prism of collective meaning, and negotiated as a distinct "time capsule".
Readers are encouraged to become archaeologists of their own everyday possessions, as Shales blends his interpretations with a personal excavation of his own family heirlooms of plastic and chipped earthenware.
Table of Contents
Time Capsule 1: Standing on One Foot: A Kylix from Cyprus
Time Capsule 2: Animated Bodies: A Chimú Whistling Jug
Time Capsule 3: Handling America: An AncestralPueblo Vessel
Time Capsule 4: Impressing Jugs: Bartmannkrüge
Time Capsule 5: Communal Caudle Cups (as Instruments for Ecstasy)
Time Capsule 6: Communing with Illustrious Heads and Face Jugs
Time Capsule 7: Publishing Art©™ Jugs, “A Display of Multifarious Learning”
Time Capsule 8: Pitchering Women at the Well
Time Capsule 9: Decanting Tribal Identities
Time Capsule 10: Little Brown Jugs: Artifice or Authenticity?
Time Capsule 11: Modern Equipment
Time Capsule 12: Throwaway Culture Connoisseurship
Conclusion: A Pitcher of Reliefe
Product details
Published | 19 Feb 2026 |
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Format | Paperback |
Edition | 1st |
Extent | 288 |
ISBN | 9781350386709 |
Imprint | Bloomsbury Visual Arts |
Illustrations | 200 colour illus |
Dimensions | 246 x 189 mm |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A thoughtful book that looks with care at the overlooked.
Magdalene Odundo, OBE, artist and Emerita Professor, University for the Creative Arts, UK
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Authoritative historical scholarship leavened by Shales's connoisseurial passions and humor.
Juliet Kinchin, former Curator in the Department of Architecture and Design, Museum of Modern Art, New York, USA
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Shales shows how humble wares can mean more than the most rare and exquisite, yet untouchable, of gallery exhibits. Art historians and museum curators, take note!
Tim Ingold, University of Aberdeen, UK
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No mean feat. You will never look at a Kool-Aid pitcher in the same way again.
Gerald W.R. Ward, Curator of American Decorative Arts and Sculpture Emeritus, Museum of Fine Arts, Boston, USA
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An epic achievement for fictile scholarship.
Garth Clark, founder of Garth Clark Gallery and editor of C-File