Moving beyond other approaches that merely use film to illustrate philosophy, the books included in this series will probe the question of the relationship between the institutions of film studies and philosophy by setting into motion the encounter between the aesthetics, history, and theories of cinema and the creation of concepts on the philosophical plane. Cine-Aesthetics: New Directions in Film and Philosophy will actively probe what the interdisciplinary contact between film and philosophy means to both the practice of film study and the creation of philosophical meaning.

Series Editor: Stuart Kendall, Steven Rybin, Thomas Deane Tucker