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Sibyl Moholy-Nagy
Architecture, Modernism and its Discontents
Sibyl Moholy-Nagy
Architecture, Modernism and its Discontents
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Description
A major voice in the architectural culture of the fifties and sixties, Sibyl Moholy-Nagy was uniquely engaged with modernism and modernity. As the wife and collaborator of László Moholy-Nagy, she was expected to provide him with the material that was crucial for his modernist mission, whilst trying to carve out her own subjectivity as a writer. As an architectural critic she was one of the early voices articulating doubts about the path modernist architecture was taking, demystifying the myths of the masters, Mies, Le Corbusier and Gropius, and questioning their heroic, masculinist approach.
This book analyzes the significance of the life and work of Moholy-Nagy and explores the paradoxical aspects of the relationship between modernism and feminism. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked figures in modernism, it is both an examination of her work and legacy, and also a study on the roles of gender and of the changing nature of modernism in its trajectory from Europe to America.
Drawing on personal papers, diaries, letters and lecture notes, as well as personal interviews with relatives, colleagues and students, this study brings to light the significance of the life and work of a remarkable woman.
Table of Contents
1. Life trajectory
2. Vernacular architecture and the uses of the past
3. Engaging with modernism
4. Narrative of architecture and the city
5. Teaching as vocation
6. Alliances and controversies: positioning Sibyl Moholy-Nagy
Notes
Index
Product details
Published | 25 Jul 2019 |
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Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 288 |
ISBN | 9781350094130 |
Imprint | Bloomsbury Visual Arts |
Illustrations | 81 b&w illus |
Series | Bloomsbury Studies in Modern Architecture |
Publisher | Bloomsbury Publishing |
About the contributors
Reviews
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A significant contribution to the history of post-war architecture and of twentieth-century modernism more generally, providing a timely appraisal of a critical voice who added much to the architectural discourse of her period.
Robin Schuldenfrei, The Courtauld Institute of Art, UK
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The overarching questions about the status of feminism within modernism are original, creative and important . . . I really believe this book will change the way in which historians and critics look at mid-century modernism.
Alice T. Friedman, Grace Slack McNeil Professor of the History of American Art, Co-Director, Architecture Program, Wellesley College, USA

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