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The Women’s Wood Engraving Revival (1912-65)

A Feminist History of Twentieth-Century Book Illustration

The Women’s Wood Engraving Revival (1912-65) cover

The Women’s Wood Engraving Revival (1912-65)

A Feminist History of Twentieth-Century Book Illustration

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Pre-order. Available 12 Nov 2026
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Description

The Women's Wood-Engraving Revival focuses on the lives and work of women illustrators who were instrumental in an artistic revival of wood-engraving as a book illustration technique.

As a reaction to the mass-produced engravings churned out by anonymous engravers in the mid-nineteenth century, the revival sought to recapture the perceived authenticity and artistic superiority of wood engraving's earliest instantiation, in which the artist and engraver were the same person.

While bound up with the limitations of the gendered legacy of the Arts and Crafts Movement and the remnants of the Victorian era, the Wood Engraving Revival afforded women new opportunities to develop as professional artists and illustrators. Wood-engraving as a technique required few tools and was specifically suited to the needs of women artists, who required autonomy over their workspaces. Lacking independent wealth, all four women profiled in this book used wood-engraving for book and periodical publishers as a means of supporting themselves) and building professional reputations

Covering the work of Gwen Raverat, Agnes Miller Parker, Clare Leighton and Joan Hassall, the book brings scholarly attention to the work of women illustrators, whose impact on the material text went beyond images to include many facets of print culture that appealed to a growing middle-class audience, and highlights the gender politics around book production that persist today.

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Table of Contents

List of Illustrations
Acknowledgements

Introduction: Women Wood Engravers: Emerging from Anonymity

Chapter One: Gwen Raverat (1885-1957): French Impressionism, Mainstream Modernism, and the Growth of the Revival
Chapter Two: Agnes Miller Parker (1895-1957): Finely-Illustrated Books for Middleclass Consumers
Chapter Three: Clare Leighton (1898-1989): A Transatlantic Revival and Accessible Art for All
Chapter Four: Joan Hassall: (1906-1988): “Old Fashioned” Engravings, Wartime Publishing, and the Postwar Book Beautiful

Conclusion: Beyond Wood Engraving: Women Engravers and Beauty in Everyday Life

Notes
Bibliography
Index

Product details

Published 12 Nov 2026
Format Ebook (Epub & Mobi)
Edition 1st
Pages 224
ISBN 9781350571891
Imprint Bloomsbury Visual Arts
Illustrations 13 b&w illus
Series Bloomsbury Research in Illustration Series
Publisher Bloomsbury Publishing

About the contributors

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