Free US delivery on orders $35 or over
This product is usually dispatched within 1 week
Free US delivery on orders $35 or over
You must sign in to add this item to your wishlist. Please sign in or create an account
From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-2, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.
Published | Jul 30 1996 |
---|---|
Format | Hardback |
Edition | 1st |
Extent | 224 |
ISBN | 9780313261848 |
Imprint | Praeger |
Dimensions | 9 x 6 inches |
Series | Contributions to the Study of Popular Culture |
Publisher | Bloomsbury Publishing |
Your School account is not valid for the United States site. You have been logged out of your account.
You are on the United States site. Would you like to go to the United States site?
Error message.