The Bad Bunny Enigma: Culture, Resistance, and Uncertainty: Extreme Sounds Studies: Global Socio-Cultural Explorations Sheilla R. Madera Lexington Books

The Bad Bunny Enigma

Culture, Resistance, and Uncertainty

The Bad Bunny Enigma

Culture, Resistance, and Uncertainty

Description

This collection offers the first comprehensive analysis of Bad Bunny’s impact on music, culture, and politics. Exploring his gender-fluid style, Afro-Caribbean aesthetics, and critiques of colonialism, the book highlights his role in amplifying marginalized voices. With contributions from diverse scholars, it presents a balanced view of his influence on intersectional resistance. The chapters examine whether Bad Bunny represents a cultural shift or a fleeting moment, positioning him as a multifaceted figure in contemporary culture and activism.

List of Tables and Figures
Chapter 1: “Bad Bunny está ‘ien cabrón”: Reflections in Chiaroscuro
Chapter 2: The Profane, the Lewd, and the Misogynistic in Puerto Rican Singing: A Historical and Interpretative Primer to Bad Bunny Song’s Lyrics (1900-2022)
Chapter 3: (Nada es) ‘Como antes:’ Bad Bunny’s Historical Memory and the Limits of Nostalgia.
Chapter 4: Cuir Dialogic Intimacies: Mapping Lo Cuir in Bad Bunny’s Performance Repertoire
Chapter 5: Bad Bunny on the Global Stage: The Network Society, Streaming, and the Latin Music Industry
Chapter 6: Bad Bunny’s “nueva religión” as a Postmodern Reimagining of the Religious/Secular Paradigm
Chapter 7: “Andrea”: Intersectional Struggles of the Puerto Rican Women Revealed
Chapter 8: Bad Bunny and the Queer Trans-formation of Reggaeton
Chapter 9: Bad Bunny Above Ground: The Aesthetics of Nostalgia and (Black) Aural Citation
Chapter 10: Las “Ganas adentro del Explosion”: The New Millennium of Bad Bunny's YHLQMDLG Music Videos
Chapter 11: “Esto e’ un ratito, mami, no te acostumbre’”: Bad Bunny and the Reproduction of Zygmunt Bauman’s Liquid Love
Chapter 12: More than Spanish to English Code-switching: An Analysis of Bad Bunny’s Translanguaging Practices throughout his Discography
Chapter 13: “¿Estamos bien?”: The Affective and Cultural Consequences of Engagement with Bad Bunny
Chapter 14. "Lo $iento Bad Bunny pero no estamos bien": Bad Bunny's Presence in Chile's 2019 Social Upheaval
About the Contributors

Product details

Published	Nov 19 2024
Format	Hardback
Edition	1st
Extent	276
ISBN	9781666935967
Imprint	Lexington Books
Illustrations	9 BW Illustrations, 1 Table
Dimensions	9 x 6 inches
Series	Extreme Sounds Studies: Global Socio-Cultural Explorations
Publisher	Bloomsbury Publishing

Anthology Editor

Sheilla R. Madera

Anthology Editor

Nelson Varas-Díaz

Anthology Editor

Daniel Nevárez Araújo

Contributor

Sheilla R. Madera

Contributor

Nelson Varas-Díaz

Contributor

Daniel Nevárez Araújo

Contributor

Stephen G. Adubato

Contributor

Noel Allende-Goitía

Contributor

Sarah Bruno

Contributor

Ericka Collado

Contributor

Dominique L. La Barrie

Contributor

Olivia Maria Martins

Contributor

Julia McCabe

Contributor

Yara Mekawi

Contributor

Jorell Meléndez-Badillo

Contributor

Dozandri Mendoza

Contributor

Townsend Montilla

Contributor

Ileana Pérez

Contributor

William ‘Liam’ Puche Barraza

Contributor

Adriam José Puche Barraza

Contributor

Luis E. Rivera-Figueroa

Contributor

Carlos Rivera Santana

Contributor

Eunice Rojas

Contributor

Omar Ruiz Vega

Contributor

Aurora Santiago Ortiz

Contributor

Madison Silverstein

Contributor

Daniel J. Vázquez Sanabria

Contributor

Elyse Veloria

Reading each chapter is to see Puerto Rico through one of the rhythms that has captivated and challenged more than one generation. You are invited to see its slang through the eyes of Boricuas, and from the perspective of a Latin America absorbed in the Bad Bunny effect. It’s a walk to be captivated by our identities that are manifested in his music. It is to find how Bad Bunny denounces and expresses what he sees and experiences in the archipelago, and how other people perceive him. It is history, community and academia, dancing to our realities, al ritmo del reguetón.

Yarimar Rosa-Rodríguez, University of Puerto Rico
This collection of essays examines from a multidisciplinary perspective the inherent complexities surrounding Bad Bunny as an unparalleled global phenomenon. Through deep analysis and anchored in a variety of theoretical frameworks, the book questions, contextualizes, and problematizes Bad Bunny as an enigmatic figure. It delves into the creative choices and political postures manifested throughout his career to provide a profound interpretation of Bad Bunny's artistic expression, contemporary audiences, and the music industry.

Noraliz Ruiz, Independent Ethnomusicologist