A fun and engaging overview of the popular television series Community as the show fulfills its own prophecy of concluding with six seasons and a movie.

Sitcoms, as a genre, are almost unique to television. In many respects, it is the defining genre for US television, a durable format that stretches from I Love Lucy to Superstore. Despite its many iterations, from “live in front of a studio audience” to mockumentary, it stands out from many other genres by having these different types of sitcoms frequently co-exist-or blend-rather than replacing an older mode. Given sitcom's longevity and adaptability, the only surprise is that it took until 2009 for someone to create a series that both skewers and honors the sitcom genre: Community.

In Community: Going Back to School with Television's Best Sitcom, Erin Giannini examines the cultural phenomenon that is Community, a series about a community college and, in the series own words, “the goofballs who run around stirring up trouble, and the eggheads that make a big deal out of it.” It's a meta series with an active fandom (enough to justify a follow-up film) and features an eclectic cast. Created by Dan Harmon based on his brief experience in community college, it appears on the outside to be a typical sitcom: lovable rogue Jeff Winger is forced to go back to college to earn the credentials he lied about, and falls in with a motley group of quirky new friends. Yet the series almost immediately deconstructs this by having the character of Abed Nadir tie in the group dynamic to pop culture touchstones, from mafia film Goodfellas to bottle episodes and clip shows, commenting on its genre with a heavy metatextual bend.

Giannini explores how the series debuted on and embodies the cusp between traditional television and the streaming era, airing as part of a comedy block of shows on NBC that were frequently low rated but set the tone for the genre moving forward. In the book, Giannini highlights what Community influenced and was influenced by, the way it differentiated itself from other sitcoms and yet embraced the genre, the comedic generational divide embodied by the escalating tension between Chevy Chase and Dan Harmon, the ascendance of Donald Glover, and much more. A must-read for fans of the cult-favorite show.