Free US delivery on orders $35 or over
This product is usually dispatched within 1 week
Free US delivery on orders $35 or over
You must sign in to add this item to your wishlist. Please sign in or create an account
Between 1977 and 1980, Britain was a country and culture in flux. The threat of nuclear war, mass unemployment, and strikes made it a particularly gloomy period historically. Within this, a growing number of electronic music acts were using technology and the synthesizer to soundtrack changing times.
Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977- 80) is the first musicological collection of essays on acts that include Throbbing Gristle, Cabaret Voltaire, and The Human League, mapping how the synthesizer spurred toward a fundamental shift in the mechanisms of electronic musicmaking in late 1970s. The volume traces how, along with the musical aesthetics established by both the Punk and Post-Punk movements, the synthesizer led to new and innovative effects, ideas, processes, and musical genres. Dark Waves explores the background, influences, and use of technology and how such developments would result in the more commercial electronically produced sound of 1980s synth pop which, in turn, shaped the sound of electronic music today.
Published | Feb 15 2023 |
---|---|
Format | Hardback |
Edition | 1st |
Extent | 200 |
ISBN | 9781538165300 |
Imprint | Rowman & Littlefield Publishers |
Dimensions | 9 x 6 inches |
Series | Popular Musics Matter: Social, Political and Cultural Interventions |
Publisher | Bloomsbury Publishing |
Growing up with the music that Neil O'Connor discusses so successfully in this book, I had an inkling that synthesizers were speaking of a greater, subterranean truth than one I could grasp, a truth of impending doom and fragile hope, of blurred distinctions between machines and humans. O'Connor lays out, with love and precision, the hidden contours of this truth, combining meticulous historical detail with canny reflections on how synthesizers defined a generation of music.
Joanna Demers, professor of musicology, USC Thornton School of Music
This book is available on Bloomsbury Collections where your library has access.
Your School account is not valid for the United States site. You have been logged out of your account.
You are on the United States site. Would you like to go to the United States site?
Error message.