Duncan Macmillan's cracking play is a timely and gripping dissection of parenting and responsibility… This is a play that tests your liberal instincts to the limits.

The Guardian, on Monster

An honest, original and pretty much irresistible tearjerker.

The New York Times ArtsBeat, on People, Places and Things

A woundingly intense two-hander. It is the most beautiful, quietly shattering play of the year.

The Express, on Lungs

If we look to theatre to increase our awareness of the human condition, the evening succeeds on all counts. [...] This talk, which deserves wide dissemination, is better than good: it is necessary.

The Guardian, on 2071

Heart-wrenching, hilarious... one of the funniest plays you'll ever see about depression – and possibly one of the funniest plays you'll ever see, full stop.

The Guardian, on Every Brilliant Thing

The writing is exquisitely painful. At times it feels like Macmillan has taken one of those little spoons, the ones with the serrated edge, for grapefruit, and scooped something out of you.

The Stage, on People, Places and Things