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“Bold and insightful.” —Anthony Tommasini, former chief classical music critic, The New York Times
A new book by William Westney, author of the bestselling The Perfect Wrong Note, takes a fresh and creative look at the human dimension of classical music-making and why it matters more than ever in the contemporary world.
Eros at the Piano takes readers on a remarkable journey, combining intellectual vigor with down-to-earth wisdom for performers, teachers, and students. Using a conversational tone and rich with cross-disciplinary insight, Westney weaves together the philosophical concept of Eros with the art and practice of classical musicians. Why Eros? Eros was the ancient Greek god not only of love and sensuality but of all human creativity and interconnectedness, symbolizing a great realm of feeling and of wordless understanding.
It has always been a challenge to capture in words the ineffable experience of music. Eros offers a useful concept, a way to refer to that embodied realm of knowing, and it can inspire virtually every aspect of musical life: practicing, teaching, technique and connecting with audiences. Westney draws upon a lifetime as concert artist and educator to bring to life a refreshing vision of classical music today.
Published | Jun 24 2023 |
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Format | Paperback |
Edition | 1st |
Extent | 254 |
ISBN | 9781538167519 |
Imprint | Rowman & Littlefield Publishers |
Illustrations | 23 b/w illustrations |
Dimensions | 9 x 6 inches |
Publisher | Bloomsbury Publishing |
In this bold and insightful book, William Westney grapples with elusive questions about music as a ‘life force’ and comes up with compelling answers. He finds guides (almost soulmates) in a panoply of philosophers, poets, and performers—from Plato to Jung, Martin Buber to Yo-Yo Ma. Westney draws upon decades of experience as an exemplary pianist and empowering teacher to offer fresh approaches to practicing, technique, and trusting one’s musical, emotional, and sensual instincts.
Anthony Tommasini, former chief classical music critic, The New York Times
Mining the rich mythology of Eros, William Westney guides us back to the life-giving act of making music, and he does it the way he always has—with imagination, humor, and love. In exploring what it means to be a human performer, he helps us strengthen and cherish the ways in which we connect.
Buddy Bray, The Cliburn
The concept of Eros, as broadly conceived by Westney, becomes more and more compelling as a template for understanding the human significance not only of classical music but of all the arts. That concept is beautifully exemplified by the writing itself, which in its engagement and lucidity holds the reader in its warm embrace.
Charles Fisk, Phyllis H. Carey Professor Emeritus, Wellesley College
Westney shares an abundance of inspired ideas from philosophers, scientists, former teachers, and other musicians in this wonderful new book. Musicians will gain insight into their performances from the numerous philosophical and pedagogical ideas that are presented in this creative and fascinating work. This is a book that explores the love, energy, and transformation that all performers constantly strive to achieve.
Dennis Alexander, pianist, teacher, composer
I have been thirsting for this life-affirming perspective on classical music. An alternative to the hyper-intellectualism of so much modern aesthetic theory, Westney’s message is as transparent, clear, and refreshing as water itself.
William Bauer, College of Staten Island/CUNY
I love this book! I love that it crackles with inspiration and also offers practical, down to earth advice. I'm grateful that William Westney has found words to describe how music goes beyond words. He illuminates music's power and magic and helps us to invite those qualities into our playing, singing, and teaching.
John Steinmetz, professor, UCLA Herb Alpert School of Music
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