Fellini's Eternal Rome is one of those miraculous works of criticism that moves from deep and novel intuitions of broader cultural significance, unfolding them gradually and pervasively in what seem at first to be digressions, yet that quickly reveal themselves to be the necessary pieces of a puzzle that form a novel and persuasive explanation of Fellini's cinema. The book is a most carefully researched and effectively presented advance in modern Italian cultural history, a contribution delivering new and momentous insight that will undoubtedly stimulate further research on Fellini.

Journal of Modern Italian Studies

Professor Carrera is to be congratulated on this diverting and informative study of the life and work of the pagan-Catholic King of Cinecittà.

Catholic Herald UK

Offering fresh insights and personal anecdotes, Carrera details the doubts, conflicts, and artistic decisions made by the director during his long career in the cinema. Summing Up: Highly recommended. Upper-division undergraduates through faculty.

Choice

[Fellini's Eternal Rome] stimulates readers to a new appreciation of Fellini's films at 25 years from his death.

The Italian Insider

Carrera's readings of paganism and Christianity in Fellini's work are engaging, provocative and often brilliant, augmented by his highly original and at times irreverent authorial voice.

Journal of Italian Cinema & Media Studies

Alessandro Carrera's engagement with Fellini is both personal and intellectual. In this groundbreaking study, he compellingly unpacks the Italian director's at times perplexing aesthetics by bringing to light the conflictual relation between the Pagan and the Christian elements that recur in his cinematic production. The unresolved relation at the centre of Fellini's cinematography provides a critical key to the understanding of his artistic genius. Alessandro Carrera's sophisticated knowledge of both the classical world and contemporary Italian society, together with his consummate ability to draw original and convincing connections between seemingly distant literary and artistic discourses, produces a compelling re-interpretation of Fellini's films. An engaging critical journey, an enjoyable narrative replete with captivating anecdotes, Alessandro Carrera's study is a must for Fellini's present and future scholars and an essential reading for anyone interested in deepening their understanding of one of Italy's greatest cinematographers.

Simona Wright, Professor of Italian, The College of New Jersey, USA