Roger Lundin's 'story of nineteenth-century sources and twenty-first-century consequences' narrates the American disenchantment of nature and the ensuing rise (and fall) of experience with admirable subtlety; along the way offering a devastating deconstruction of that ongoing philosophical champion of experience, pragmatism.

Cultural Encounters

Lundin has written a brilliant, incredibly comprehensive, and erudite account of American idealism as rooted in sheer experience disconnected from God and the Good. He shows that our idealists—from Emerson through our earlier pragmatists such as William James and Dewey and our contemporary 'neopragmatists' (such as Rorty)—participate in a project that is somehow both Protestant and post-Christian, a sort of Christianity both without Christ and without any conception for the real human persons. This project, in Rorty's hands, claims to be Nietzschean, but Lundin better appropriates what's true and noble about Nietzscheans' criticism of the soft mendacity of modern democracy: We should have nothing but contempt for vague Christian sentiment divorced from Christian belief.

Peter Augustine Lawler, Berry College

In this remarkable book, Roger Lundin diagnoses the dangers inherent in the American dream of overcoming the harsh limits of history and the thick densities of religion in favor of direct, unmediated experience of the Ultimate. From Emerson and Thoreau to James and Dewey forward to Richard Rorty and Stanley Fish, he traces our dark descent into the abyss of gnostic individualism. Yet Lundin writes no mere jeremiad. He points, instead, to a way out of our tragedy-and-tradition denying culture—through the witness made by Hawthorne and Melville, Faulkner and Auden, Gadamer and Bonhoeffer and Barth.

Ralph C. Wood, University Professor of Theology and Literature, Baylor University

Lundin does nothing less than provide extraordinary readings of Emerson and William James to set the American loss of authority in terms of a dialectic between nature and experience. Lundin then exposes the limits of that dialectic through masterful reading of literary theory represented by New Criticism, issues in authorial intentionality, and the challenge Faulkner presents for understanding our lives. Drawing on fiction and poetry, Lundin illumines the philosophical issues he explores while never losing the thread of argument. This could well be one of the more important books written in recent times, and hopefully it will receive the wide readership it so richly deserves.

Stanley Hauerwas, Gilbert T. Rowe Professor of Theological Ethics, Duke University Divinity School and professor at the Duke University School of Law

Roger Lundin has provided a powerful 'genealogy of moral authority.'

Mark Noll, author of America's Book: The Rise and Decline of a Bible Civilization, 1794-1911, Christianity Today

In this immensely moving, intelligent, and beautifully written book, Roger Lundin considers 'the shift from nature to experience as the locus of authority in American culture' from Emerson to (say) Don De Lillo. His thesis is contentious. Other scholars of American culture might offer as its God-term such rival values as culture, history, society, or language. I can imagine a spirited conversation on the issue. One or two scholars might even claim that nature has not been superseded—not entirely—by experience, and might quote evidence from Thoreau to Richard Wilbur. No matter. Lundin has made a formidable case: his companions in the debate will find it a difficult case to refute.

Denis Donoghue, Henry James Professor in English and American Letters, New York University