While celebrating Elizabeth Robertson’s long and distinguished body of scholarship, this volume affirms that debts to another’s critical arguments can in the best circumstances lead to new and refreshing insights. With considerations of acrostics and ballads, and in treatments that include authors such as John Clanvowe, Margery Kempe, and Marie de France, chapters show how form enables different kinds of embodiment, and how gender conditions expectations for various genres and/or authors. For its intellectual originality and critical generosity, this volume will be a mainstay of late Middle English literary studies.

Holly A. Crocker, Faculty Leader, Humanities Collaborative

This essay collection offers a fitting tribute to topics and passions that have animated Beth Robertson’s scholarship over the course of her career, including poetic form, gender and history, material culture, embodied cognition, and the philosophical dimensions of will and consent. Covering wide-ranging topics from ethics and knowledge, to medieval debates about voluntarism, to the Wife of Bath’s “not-yet” text, the essays in this volume expand on Robertson’s work to chart future directions in Medieval Studies.

Karma Lochrie, Provost Professor of English, Core Faculty, Medieval Studies Institute

The value of Beth Robertson’s work in medieval English literary studies is incalculable, as are her trailblazing impact and influence as a founding member of the Society for Medieval Feminist Scholarship. This collection of essays pays due homage to Robertson’s formidable and broad range of scholarship and intellectual interests while also showcasing the new directions she has led others to pursue in literary forms, genres, and history. This excellent book is both a significant scholarly contribution in its own right and a worthy tribute to an extraordinary scholar and mentor.

Melissa Ridley Elmes, Lindenwood University