Bloomsbury Home
Listening Deafly and the Rhetoric of Sound
Voice, Silence, and Listening in Hollywood Films
Listening Deafly and the Rhetoric of Sound
Voice, Silence, and Listening in Hollywood Films
This product is usually dispatched within 1 week
- Delivery and returns info
-
Free US delivery on orders $35 or over
Description
In this book, Sarah Mayberry Scott bridges the seemingly insurmountable divide between sound studies and deaf studies by considering the persuasive nature of sound at the intersection of sound, rhetoric, and deafness. Using three contemporary films as critical touchstones, CODA (2021), A Quiet Place (2018), and Sound of Metal (2019), Scott investigates how the history and values of Deaf culture provide opportunities for expanding the concepts of voice, silence, and listening to include a plurality of embodied experiences. Through utilizing an innovative rhetorical approach of listening deafly to sound, the author asserts that it is possible to understand voice without orality, to experience sound without hearing, and to listen in multi-modal ways to show that all bodies are sound bodies. Scholars of deaf studies, sound studies, and rhetoric will find this book of particular interest.
Table of Contents
Introduction: The World Is Sound
Chapter 1: Spoken on my Behalf: Issues of Deaf Voice in CODA
Chapter 2: Rehabilitating Silence: Sound and Silence in A Quiet Place
Chapter 3: (LISTEN): Listening without Hearing in Sound of Metal
Conclusion: Sound Diet
Bibliography
About the Author
Product details
| Published | Oct 15 2023 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Extent | 128 |
| ISBN | 9781666911985 |
| Imprint | Lexington Books |
| Dimensions | 9 x 6 inches |
| Publisher | Bloomsbury Publishing |
Reviews
ONLINE RESOURCES
Bloomsbury Collections
This book is available on Bloomsbury Collections where your library has access.
Related Titles
