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Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions.
Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.
Published | Mar 22 2005 |
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Format | Hardback |
Edition | 1st |
Extent | 272 |
ISBN | 9780810854079 |
Imprint | Scarecrow Press |
Dimensions | 9 x 6 inches |
Publisher | Bloomsbury Publishing |
The Mediterranean in Music would be a worthwhile addition to libraries concerned with popular music...
Popular Music
Ethnomusicologists and scholars of music and anthropology, all British but for an American, explore the concept and examples of a Mediterranean music, diverse within itself but sharing distinctions from the music of other regions. They look at nation and history, broadcasting and new media, men and women, Mediterranean Music, and traveling the Mediterranean. The 11 papers are from a February 2001 conference in Leeds, England.
Reference and Research Book News
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