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Music Glocalization and the Composer
The Case of Franz Xaver Scharwenka (1850-1924)
Music Glocalization and the Composer
The Case of Franz Xaver Scharwenka (1850-1924)
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Description
Music Glocalization and the Composer: The Case of Franz Xaver Scharwenka (1850–1924) examines the life, milieu, and music of composer Franz Xaver Scharwenka. Mikolaj Rykowski argues that Scharwenka held the ability to function on a global scale relatively early in music history, founding conservatories in Berlin and New York, becoming one of the first artists to record music using cutting-edge audio technology of his time, namely the Welte-Mignon rolls, and by staging his own opera at The Met. Using a relatively new methodological perspective called music glocalization, Rykowski enables us to explore the composer’s cultural roots in Poland and observe how the nineteenth century global sense of nationality influenced his musical output.
Table of Contents
Table of Contents
Acknowledgments
Introduction
Chapter One: Glocalization and Music: Theoretical Concepts
Why Scharwenka’s Case
Glocalization and Music
Ethnomusicology of Western Art Music and Glocal Perspective
Glocal Interpretation of Music
A Place of Decisive Agency
Towards a Music Glocalization Model
An Important Caveat
Types of Music Glocalization: Audiomosaic, Bushimi, Glocklization,
Criticism toward Glocal Interpretations of Music
Chapter Two: Ethnomusicological Perspective: Scharwenka’s Identity and Early Music Experiences
Ethnomusicology and Western Art Music
Composer Identity – A Matter of Misinterpretations
Questions
In the World of Romantic Ideas
German-Polish Family Tree
Two Cultures: German
Two Cultures: Poland
Communicative Memory
Chapter Three: Glocality of Music
From the Piano to the Symphony – Overview of the Music
Berlin and the Rest of the World
The Same Country – Different Methods
Between Brahmsianism and New German School
Opera Mataswintha
Scharwenka’s music and Polish Tradition
Chapter Four: Local-Global Interplay
Driving Force from Poland
The Role of Patrons
Self-Globalization of European Narratives
Virtuosity and Momentum – Acceleration Toward Global
Powerful Forces of Impresarios
Bridging Transatlantic Cultures
German opera in America
Chapter Five: Versatile Artist: Think Globally, Act Locally
Entrepreneurship: Local Outreach
Entrepreneurship: Gobal Outreach
Pedagogy – From Individuality to Universality
Various Activities: Journalism, Recording, Working in the Union
Conclusion
Acknowledgments
Introduction
Chapter One: Glocalization and Music: Theoretical Concepts
Why Scharwenka’s Case
Glocalization and Music
Ethnomusicology of Western Art Music and Glocal Perspective
Glocal Interpretation of Music
A Place of Decisive Agency
Towards a Music Glocalization Model
An Important Caveat
Types of Music Glocalization: Audiomosaic, Bushimi, Glocklization,
Criticism toward Glocal Interpretations of Music
Chapter Two: Ethnomusicological Perspective: Scharwenka’s Identity and Early Music Experiences
Ethnomusicology and Western Art Music
Composer Identity – A Matter of Misinterpretations
Questions
In the World of Romantic Ideas
German-Polish Family Tree
Two Cultures: German
Two Cultures: Poland
Communicative Memory
Chapter Three: Glocality of Music
From the Piano to the Symphony – Overview of the Music
Berlin and the Rest of the World
The Same Country – Different Methods
Between Brahmsianism and New German School
Opera Mataswintha
Scharwenka’s music and Polish Tradition
Chapter Four: Local-Global Interplay
Driving Force from Poland
The Role of Patrons
Self-Globalization of European Narratives
Virtuosity and Momentum – Acceleration Toward Global
Powerful Forces of Impresarios
Bridging Transatlantic Cultures
German opera in America
Chapter Five: Versatile Artist: Think Globally, Act Locally
Entrepreneurship: Local Outreach
Entrepreneurship: Gobal Outreach
Pedagogy – From Individuality to Universality
Various Activities: Journalism, Recording, Working in the Union
Conclusion
Product details
| Published | Feb 27 2024 |
|---|---|
| Format | Ebook (Epub & Mobi) |
| Edition | 1st |
| Extent | 160 |
| ISBN | 9781666936841 |
| Imprint | Lexington Books |
| Illustrations | 20 BW Photos, 1 Tables |
| Series | Critical Studies in Historical Ethnomusicology: Deep Soundings |
| Publisher | Bloomsbury Publishing |
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