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New Developments in Film Theory
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Description
This book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
Table of Contents
Introduction
The Gaze: Masochism, Identification and Phantasy in the Spectator
Dangerous Supplements: The Envy of the Gaze
The Shattering Pluralism: Film and its Discourses
Flesh into Body into Subject: The Corporeality of the Filmic Discourse
The Ideology of Love: Film and Culture
The Carnivalesque: Film and Social Order
Film and Meaning
Seduction: Gender, Genre and Power.
The Gaze: Masochism, Identification and Phantasy in the Spectator
Dangerous Supplements: The Envy of the Gaze
The Shattering Pluralism: Film and its Discourses
Flesh into Body into Subject: The Corporeality of the Filmic Discourse
The Ideology of Love: Film and Culture
The Carnivalesque: Film and Social Order
Film and Meaning
Seduction: Gender, Genre and Power.
Product details
| Published | Jul 11 2000 |
|---|---|
| Format | Hardback |
| Edition | 1st |
| Extent | 211 |
| ISBN | 9780333744901 |
| Imprint | Red Globe Press |
| Dimensions | Not specified |
| Publisher | Bloomsbury Publishing |
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