- Home
- ACADEMIC
- Philosophy
- Aesthetics
- Panorama
Please note that this product is not available for purchase from Bloomsbury websites.
You must sign in to add this item to your wishlist. Please sign in or create an account
Description
The new electronic age has seen a radical transition from book to screen, a development which has obscured the fact that it is not what we see which matters but how we see what we see. We live in a time when the visible needs to be retheorised.Panorama presents a broad analysis of philosophies of the visible in art and culture, particularly in painting, film, photography, and literature. The work of key philosophers--Kant, Hegel, Nietzsche, Heidegger, Levinas, Barthes, Blanchot, Foucault, Bataille, Derrida, Lyotard and Deleuze--is examined in the context of visibility, expressivity, the representational and the postmodern. Contributors: Zsuzsa Baross, Robert Burch, Alessandro Carrera, Dana Hollander, Lynne Huffer, Volker Kaiser, Reginald Lilly, Robert S. Leventhal, Janet Lungstrum, Ladelle McWhorter, Ludwig Nagl, Anne Tomiche, James R. Watson, Lisa Zucker
Table of Contents
Between the Visible and the Expressive: And In-visible Exchange, Wilhelm S. Wurzer
Part One: Postmodern Visions
1. Rephrasing the Visible and the Expressive: Lyotard's "Defense of the Eye" from Figure to Inarticulare Phrase, Anne Tomiche, University of Grenoble
2. Visibility, "Bild" and "Einbildungskraft", Derrida, Barthes, Levinas, Ludwig Nagl, University of Vienna
3. Puncturing Genres: Barthes and Derrida on the Limits of Representation, Dana Hollander, Michigan State University
Part Two: Beyond Representational Thinking
Introduction .... While Illustrating ...
4. Blanchot's Gaze and Orpheus' Singing: Seeing and Listening in Poetic Inspiration, Alessandro Carrera, Univesity of Texas
5. Foucault and the Disappearance of the Visible Subject, Reginald Lilly, Skidmore College
Part Three: Expressions and the Limits of Philosophy
Introduction ... Desire, Displacement, and Laughter ...
6. Frames of Visibility: Si(gh)ting the Monstrous, Robert Burch, University of Alberta.
7. Francis Bacon, Logique de la sensation: The Philosopher's Painter, Zsuzsa Baross, Trent University, Canada
8. Bataille's Erotic Displacement of Vision: Attempts at a Feminist Reading, Ladelle McWhorter, University of Richmond
9. Luce Irigaray's Specular Mother: Lips in the Mirror, Lynne Huffer, Rice University
Part Four: Filming the (In)visible
Introduction ... In Images Ending ...
10. Expressionist Towers of Babel in Weimar Film and Architecture, Janet Lungstrum, University of Colorado
11. Rewiring the Oedipal Scene: Image and Discursivity in Wim Wender's Journey "Until the End of the World", Volker Kaiser & Robert S. Leventhal, University of Virginia
Part Five: Critiques of Contemporary Image Culture
Introduction ... Beyond a Paradigm ...
12. Imagism and the Ends of Vision: Pound and Salomon, Lisa Zucker
13. Mediums of Freedom in Photographic Frames: Some Exposuires of Bound Transcendence, James R. Watson, Loyola University
Epilogue: The Paradox of Philosophy's Gaze, before & after Sept. 11, Wilhelm S. Wurzer
Product details
Published | Jan 01 2003 |
---|---|
Format | Ebook (Epub & Mobi) |
Edition | 1st |
Extent | 268 |
ISBN | 9780567544452 |
Imprint | The Athlone Press |
Series | Textures: Philosophy, Literature, Culture |
Publisher | Bloomsbury Publishing |
About the contributors

ONLINE RESOURCES
Bloomsbury Collections
This book is available on Bloomsbury Collections where your library has access.