Critic and historian Butler offers a comprehensive overview of the religious right's targeting of artists and arts funding in the 1980s and '90s . . . Throughout, Butler incisively highlights the spiraling damage inflicted by the tepid responses of arts supporters like NEA chairman John Frohnmayer, who, desperate to protect the Endowment, agreed to diminish artists' freedom of expression, and of the liberal establishment as a whole, which squeamishly demurred from defending works . . . [The Perfect Moment] makes for a dramatic retelling of a sea change in American arts and politics.

Publishers Weekly

Butler ignites an urgent signal flare, illuminating how decades of coordinated efforts to stifle free expression snowballed into our present moment. Scrupulously researched and blissfully told, this gonzo history of American art and attrition proves that Butler is one of the most exciting writers of non-fiction today.

Ethan Hawke

An engaging and deeply researched book that deftly maps the far right's attack on art and free speech in the 80s and 90s to the current day. The antagonistic players may have changed, but their tactics remain the same. Butler's storytelling is as strong as his reporting, showing us that while we can't undo the past, we can learn from it and reshape our future.

Tricia Romano, author of THE FREAKS CAME OUT TO WRITE

With dozens of incisive portraits wound within a swiftly moving central narrative, Isaac Butler illuminates one of the most important histories of the past sixty years: the struggles for meaning and identity in American culture and politics. It's essential reading for followers of art history, political history or cultural criticism. The Perfect Moment helps us understand the forces that roil our present fractured moment and why the arts remain essential in defining American society.

Nayland Blake, artist and author of MY STUDIO IS A DUNGEON IS THE STUDIO

Isaac Butler is the Ernie Pyle of the 1980s culture wars, and The Perfect Moment is a clear-eyed chronicle of the skirmishes, sorties, and struggles that have made up the conservative movement's all-out war on art--and artists--in America.

June Thomas, author of A PLACE OF OUR OWN

Entertaining and illuminating.

The New Yorker on THE METHOD